One of the many things I do is teach at a university, which means that my summers are a little less hectic than “real life” strictly demands that they be. I’m not sitting around and playing Skyrim every day, but I am a little more in touch with the lazy summers of youth than some. That’s why Summerooms‘ self-titled album appeals to me so much: it’s perfect lazy summer pop.
It also helps that Summerooms is the side project of the prolific Josh Jackson (of Fiery Crash, not of Paste). Jackson usually splits his time between fuzzed-out dream pop and bleary-eyed acoustic work, but in Summerooms he lets those lines blur in a delightful, delicious way. It’s a testament to Jackson’s thoughtfulness and status as a student of music that he tagged the release as dream pop, folktronica, hypnagogic pop, indie folk, jangle pop, and neo-psychedelia. All of these tags are fitting, which proves A. how many people will love this release and B. how diverse he manages to make the offerings here. The best part about B is that even with the varieties throughout, the mood remains consistent. This is for the dreamy, chill, relaxing days of summer.
“Try to Wake Up” is a perfect example of Jackson’s cross-genre mash. The twinkly guitar line has the rhythms of The Last Man on Earth-style indie folk, while it has the tone of dream pop and the subtle energy of hypnagogic pop. Outside of genre labels, it’s a happy, quiet, dreamy tune that doesn’t get ponderous. He follows it with the ambient/chillwave interlude “Seth’s Backyard” before delivering a drum set, some guitar chords, and more tons of reverb in the neo-psychedelia/dream pop of “Ohm I, Ohm E.” All of these tunes are delivered with a guileless, wonderfully relaxed tone. You just can’t beat it for relaxing to.
Summerooms is a beautiful, chill, sun-dappled album that doesn’t need me to explain it to death. If you like lo-fi pop that will put you in a good mood, you’re going to love it. Here’s to lazy evenings by the pool and in the hammock.