Independent Clauses | n. —unusual words about underappreciated music

Videos: Start

April 14, 2015

And now we’ve made it through the full Konami code. Cheers!

Blimp Rock’s pop-rock tune “Let’s All Stay In Tonight” celebrates the joys of staying in your house, inviting your friends over, and drinking tea. I heartily approve. For those who have been to hundreds of shows, a sentiment I have echoed for years: “I see there’s more than two bands on the bill / so I don’t think, I don’t think I’m gonna go / I wish it started at seven / so we could get to bed by 11.”

The Life and Times also celebrates home life in “Passion Pit”: the central character brushes his teeth, washes dishes, gets covered in leaves and hangs out with a housecat. The rest of his rock band follows him around his house. Good times had by all.

Keeping the domestic theme alive, one of the oldest urban living tropes I know of is brought to life here in Tyler Boone’s “Take Aim”: meeting a romantic partner at the laundromat.

In stark, vivid, flamboyant contrast to the first three, Many Things’ video for “Holy Fire” concerns the atypical, unusual, and surreal in a single-shot video of remarkable oddity. It’s not what I expected from this song, but it works. Oh, it works.

Lylit’s clip for “Unknown” is basically a combination of those previous things: there’s a very domestic ’50s flair to Lylit’s wardrobe, hair and surroundings, but the pastel coloring of everything makes it just a bit off-kilter. It’s still a fantastic pop song, on top of that.

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Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.

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