Independent Clauses | n. —unusual words about underappreciated music

Videos: Start

April 14, 2015

And now we’ve made it through the full Konami code. Cheers!

Blimp Rock’s pop-rock tune “Let’s All Stay In Tonight” celebrates the joys of staying in your house, inviting your friends over, and drinking tea. I heartily approve. For those who have been to hundreds of shows, a sentiment I have echoed for years: “I see there’s more than two bands on the bill / so I don’t think, I don’t think I’m gonna go / I wish it started at seven / so we could get to bed by 11.”

The Life and Times also celebrates home life in “Passion Pit”: the central character brushes his teeth, washes dishes, gets covered in leaves and hangs out with a housecat. The rest of his rock band follows him around his house. Good times had by all.

Keeping the domestic theme alive, one of the oldest urban living tropes I know of is brought to life here in Tyler Boone’s “Take Aim”: meeting a romantic partner at the laundromat.

In stark, vivid, flamboyant contrast to the first three, Many Things’ video for “Holy Fire” concerns the atypical, unusual, and surreal in a single-shot video of remarkable oddity. It’s not what I expected from this song, but it works. Oh, it works.

Lylit’s clip for “Unknown” is basically a combination of those previous things: there’s a very domestic ’50s flair to Lylit’s wardrobe, hair and surroundings, but the pastel coloring of everything makes it just a bit off-kilter. It’s still a fantastic pop song, on top of that.

March MP3s: On the Fly

April 3, 2015

Here’s a batch of MP3s that I have been long remiss in posting. Also, happy Good Friday to you.

On the Fly

1. “A Warning of Sorts” – CHIRPING. Are we ever done with slick, well-produced, cheery indie-rock from Swedes? No, never. Put on your dancing shoes.

2. “Number One” – The Sideshow Tragedy. Did The Black Keys ever sound sinister? The Sideshow Tragedy has honed the blues-rock guitar/drums duo to a fine point here, packing in energy, melodies, dynamics, and (yes) even some sinister vocal vibes. Whoever can’t get behind a good tambourine needs to get this tune in front of them.

3. “Retro Bastard (KKBB Remix)” – Blood Sport. Kasey Keller Big Band turns out a remix of a song I’ve never heard, resulting in a complex pastiche of zooming digital sounds, heavy bass lines, complex drumming, and hollered vocals. Somehow, it turns into a herky-jerky dance tune, the sort of thing that mid-to-late ’00s dance-rock bands would have jonesed after. Intricate yet danceable, Artsy yet poppy? Turn that up.

4. “Sovereign Gore” – Casual Threats. Jamming post-hardcore’s dissonant aggression, post-punk’s wiry experimentation, and Interpol-esque dour melodies into one track is a tall order, but Casual Threats pull it off with confident aplomb.

5. “Unknown” – Lylit. If you have a way with a “whoa-oh,” you’re going to do well in today’s pop scene. Having an infectious groove that rides the line between dramatic and decidedly happy helps too.

6. “Lost is Found” – Perdido Key. In an age of no-nuance EDM, it’s refreshing to hear a club-ready tune with some atmosphere and restraint. It’s no surprise that it hearkens back to the ’90s–but not too much–to get that feel.

7. “Caves” – Sea Bed. Bouncy, rubbery keys give this dance tune a cool underwater feel, in addition to the boots’n’cats techno beat. (What up ’90s! Two in a row!) The vocal melody is infectious as well. This is way cool.

8. “He’s Heating Up” – Homeshake. So, this comes from an album that’s celebrating ’90s NBA basketball, which is a fantastic idea. Homeshake’s homage sounds like some unique alternate-universe version of Prince: feathery falsetto, vaguely funky mood, and affected sense of drama.

9. “Time For a New School of Alchemy” – ticktock. Glitchy electro had an idiosyncratic sort of beauty to it. This track harnesses bleeps, burbles, and chopped up sounds in the service of traditionally beautiful work that falls somewhere between ’80s synth-pop and modern bedroom chillwave.

10. “Mother of Maladies” – Marrow. I don’t know what it is about keyboards that can ground a funky song so well, but the wurlitzer gives this churning, whirling indie-rock piece a bit of solidity.

11. “Great Divide” – Humming House. Having great “whoa-ohs” helps in folk-pop too, as Humming House knows. Vocals reminiscent of The Avetts’ power this energetic, enthusiastic gem.

12. “When I Rise” – Diamondwolf. Percussion is real important in alt-country, and the stomp-clap drumming makes the mood here. The zinging pedal steel and heavy acoustic strum help too, making this into a powerful stomper of a tune.

13. “Ghost Town (Acoustic)” – Justin Klump. Klump’s voice has some of the trembling passion of Needtobreathe’s Bear Rinehart, but it’s set in a poignant, sentimental acoustic pop arrangement featuring cello and gentle banjo.

14. “Strong” – The Paper Shades. In the midst of this hurried and harried world, we need gentle singer/songwriter duos to tell us to “slow it down.” Unspool your stresses and let the gorgeous waves break kindly over you. Here’s to those who are still carrying the torch of calm.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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