Archive for March, 2009

Warp Records keeps it coming, Polyfolk Dance EP sure to please

March 31, 2009
By Tim Wallen

Scotland born and hip-hop oriented, Hudson Mohawke is an interesting listen. His newest release Polyfolk Dance EP could be labeled as electronic, dance, and experimental hip hop. It’s a little EP that’s short, but packed full of complicated, grimey beats. Hudson Mohawke immediately sounds that he’s coming from the same vein as Flying Lotus....
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Frolic with Mermaid Skeletons

March 29, 2009
By Megan Morgan

On Mermaid Skeleton’s myspace, the group claims that the band began when frontman Joshua Hryciak was inspired by the movie “Bambi.” And while I am not sure if they are completely serious about this or not, it actually makes sense after listening to their EP Darlings. The songs on this EP make me think...
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Kid, Go Listen to Loomings!

March 28, 2009
By Dustin Currier

At its forefront you’ll find a good deal of iniquity in the world of rock n’ roll. But, hiding in the alcoves of northern Illinois, you’ll find the ever-virtuous Kid, You’ll Move Mountains. They’ve got it all: that honesty and humbleness that when you hear it, you know even before you check their Myspace...
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Conceptual Music is Tough, but Tasty

March 25, 2009
By Brian Murff

There are music albums, and then there are conceptual albums. Hand in the Dark by Tin Veil falls firmly into the second category. The album’s sound is ephemeral, floating; every time you think there’s a pattern emerging, it takes a completely different course. Vocals range from trippy, wordless effusions to a wailing, pseudo-Flyleaf sound....
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Kings and an Untruth

March 21, 2009
By Brian Murff

It took me a little longer than usual to write this review. I downloaded the Lie To Me EP by Kingsbury, unzipped it, and added the album to my music library. Once it started playing, I threw it on repeat. I do this because first, I want to listen to an album as much...
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Werth is Worth It!

March 20, 2009
By Megan Morgan
Werth is Worth It!

Andy Werth and band hail from Seattle, Washington, but there’s not much evidence from their first full-length album, Burn the Maps and Bury the Compass, that it ever rains there. And while we all know this to be untrue, Andy Werth sure makes an impressive case for listeners to believe in Seattle’s perpetual sunshine....
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Independent Clauses is now on Twitter

March 18, 2009
By Stephen Carradini

Yes, we finally have caved to the most ADD of all social media. You can follow us as we follow music at twitter.com/indieclauses. I am currently incredibly amused, so I’ll be keeping it up obsessively for as long as my interest remains piqued. Then we’ll settle in to a nice, steady rhythm. I am...
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Lo-Fi, Oh My!

March 17, 2009
By Dustin Currier
Lo-Fi, Oh My!

There is a certain sound quality that an exceptionally slick, well-produced rock record yields, and it almost always evokes images of stacks of dollar bills, mile-long mixing boards, men in three-piece suits, and other semblances of the like. It has this great mystique, but of a rather intangible sense. To the contrary, there is...
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Like Clockwork creates delightful pop confusion

March 16, 2009
By Stephen Carradini
Like Clockwork creates delightful pop confusion

I’ve been following Like Clockwork for a long time. Jesse Astin, the driving force behind the band, has always had a unique vision for his songs. Sometimes this is awesome; sometimes it’s just confusing. “Oh My God!”, a new single off  upcoming album These Are All Things is no different. It is different in...
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Get Your Head around Muttonhead

March 15, 2009
By Brian Murff
Get Your Head around Muttonhead

Muttonhead by Constant Velocity is a little difficult to describe, mostly because their style varies from song to song. Part post-rock, part lo-fi, with bits of punk and general alt-rock thrown in, these guys have created a sound that is immediately likeable, yet hard to put your finger on. It’s like The Mountain Goats...
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