Standish Arms’ fourth release, There’s a Distinct Possibility That I’ve Never Woken Up, is best described as quiet indie rock. Supposing the band brainstormed and decided on one word to define their album’s sound, the word “haunting” surely would have been the word circled and highlighted. Most of the time the EP achieves this. Especially fine moments include the opener’s backdrop of cello and interspersed flute, and “The Weak Voice on the Phone,” which sparkles with a rising violin melody.

The songs flow well into each other, buffered by minimalist sound effects that create a stark, desolate canvas. These atmospheric moments create a fluid album, making it hard to tell where one song ends and another begins.

The charm is broken at times when the lyrics pollute the beautiful piano and cello lines. The attempt to reach notes clearly out of the vocalist’s range breaks the otherwise melancholy mood. Lyrics and notes the vocalist can hit and hit well would do a lot for this album.

Overall, the musicianship is impressive, as is the songwriting. Good songwriting matched with beautiful symphonic backdrops creates a dynamic sound worth hearing.

Looking for some indie pop with lush harmonies and a bright sound? Then you’ve come to the right place. The Beechfields, a record label based in Baltimore, Maryland, released The Seldon Plan’s third full-length album earlier this month.

The Seldon Plan’s Lost and Found and Lost is a showcase of melodies easy for the listener to pick up on and enjoy. The album’s opener, “Caldecott,” has punchy verses that lead up perfectly to the slower (but no less catchy) chorus.

The group consists of four members, two of which both provide vocals and play guitar. What is interesting, though, is that one of these singer/guitarists is Dawn Dineen, and her presence adds a lot to the harmonies. The songs that feature her singing lead vocals, like “Fire in Day’s Field,” “Run, Go!” and “See a Word” add a unique aspect to The Seldon Plan’s indie pop. Dineen also has a lower voice than a lot of female singers, and it is steady and easy to listen to.

The only real weakness of Lost and Found and Lost is that some of the songs (“See a Word”) can get a little repetitive, with choruses that are played over again without making any musical changes a few too many times. But this can easily be forgiven because despite the fact that this can get a little annoying, most of the choruses on this album are gosh-darn catchy.

Some of the standout songs on this album are the title track and “Philadelphia and a Moment.” “Lost and Found and Lost” (which is a very cool name, if you ask me) includes irresistible, snappy hand claps (or percussion that at least sounds like hand claps) and a fun keyboard line. “Philadelphia and a Moment” is a bit of an acoustic ballad that picks up the pace and changes toward the middle. Its unique instrumentation, which includes wind instruments, gives “Philadelphia and a Moment” a full feel that nonetheless seems intimate.

The group describes the album’s themes as a story of “expectant hope and recession blues.” The Seldon Plan’s Lost and Found and Lost is recommended for fans of Death Cab for Cutie and The New Pornographers.

With their first full-length release from 2007, Our Future Is History, Long Island alternative band Black Suit Youth places themselves into a place that lies somewhere between Rise Against and Foo Fighters. The Rise Against comparison comes from the band’s songwriting style, which sticks with fairly heavy guitar riffs (but not so heavy that it [...]

I came at music from a pop-punk background. I got Relient K’s Anatomy of the Tongue in Cheek when I was thirteen, and it turned me into a music fiend. From there I worked my way through emo and hardcore, back to indie-rock, through indie-pop and power-pop, through folk and acoustic pop, up towards alt-country. [...]

The Lava Children’s self-titled mini-LP was released a couple of weeks ago. It isn’t terribly long, hence the “mini-” designation, but the five tracks they offer are a good collection of their efforts thus far. The PR blurb I received said something about their music being like nothing I’d ever heard before. I was immediately [...]

Review “New England” EP from Portland-based folk-pop group The Dimes