Independent Clauses | n. —unusual words about underappreciated music

Fairmont: Now with more marimba!

January 22, 2014

Fairmont has been a part of Independent Clauses for almost as long as it’s been alive. Over those almost 10 years I’ve seen Fairmont transition from an acoustic-fronted indie-rock band to a theatrical power-pop band and back. In short, it’s been REM to My Chemical Romance to a Violent Femmes/Shins hybrid. That last one spot is where Fairmont currently sits with Live & Acoustic from the Forest of Chaos.

Leaning heavily on acoustic guitar, marimba, and male/female duo vocals, the New Jersey band remakes some of its tunes from the last few years in a chill, stripped-down style. They never lose the friction-energy that powers Neil Sabatino’s songs, but they do smooth out some of the rough edges that the tunes can get from a gritty guitar line or pounding drum kit. “Black Heart Burns” is a great example of their sound on this release, as Sabatino and co. create a sparse but engaged backdrop for the vocal duet to play over. The song is a little morose (re: title), but it never comes off as depressing or overtly navelgazing.

That trend continues throughout: the tunes are surprisingly light and sprightly for their heavy content. “Elephant” has a carnivalesque wonder to it; “King and Queen” is an upbeat song in a major key that will have you tapping your foot and loving the fact that this acoustic album includes marimba. “I Am the Mountain,” a favorite of mine, is just as catchy as in its electric form.

If you’re into acoustic-fronted indie-rock/indie-pop (and who isn’t, these days?), Fairmont’s in-studio live set (no applause, which made me breathe a sigh of relief) is a great way to spend 25ish minutes. Live & Acoustic from the Forest of Chaos drops 1/28.

There's Folk and Punk in Clock Hands' Stranglehold

October 29, 2009

Clock Hands Strangle suffered from a peculiar syndrome when I was reviewing this album. I enjoyed this album so much that I put it in my car and started listening to it like I would if it were an album that I purchased from a record store. But when I do that, I don’t think about things like “when I need to have it reviewed by” and things of that nature. Hey, we’re definitely not pros here at IC. Only here will producing a fantastic album actually delay your review. Sorry.

But Disticatti is an incredible album that deserves the words I’m about to lavish on it. It’s a folk/punk album, and the punctuation is chosen particularly. It’s not folk-punk, where the folk has a whole lot of punk strumming and attitude (O Death comes to mind) or folk punk, which is a punk band playing folk instruments (The Violent Femmes, for example). This is a band that plays folk and punk in equal measure. Continue readingThere's Folk and Punk in Clock Hands' Stranglehold…

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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