1. “Sleep City” – Radio Birds. Southern-fried The Hold Steady: Please, thank you, can I have some more?
2. “Days” – Beach Youth. Beach Boys + Vampire Weekend = gold.
3. “Picture Picture” – Tall Tall Trees. Kishi Bashi contributed strings to this giddy, major-key alt-hip-hop/singer-songwriter’s tune. It’s pretty amazing.
4. “Billions of Eyes” – Lady Lamb the Beekeeper. Lady Lamb opens her sophomore campaign with a tour de force grower that moves toward indie-rock, away from the Neutral Milk Hotel-ish psych, and maintains the inscrutable, impressionistic lyrics she’s known for.
5. “Laurel Trees/21 Guns” – Jet Plane. The opening moments of this 10-minute post-rock piece mix fragile strings and bagpipes with grumbling guitar noise to set the scene. The rest of the tune is a leisurely unfolding track that follows that same pattern, albeit with more clean guitar.
6. “New Year’s Retribution” – More Than Skies. What if Tom Waits had played in a punk band and adopted modern folk arrangements to go along with it? This sad, pensive 8-minute track has twists and turns galore.
7. “Lo and Behold” – Sarah Marie Young. More and more people are picking up vintage vocal styles and combining them with modern instrumental styles. Young has a crooner’s voice added to some funky R&B bass and keys, making for a smooth, head-bobbing track.
8. “Pores” – Hand Sand Hand. “Rumbling” is what I call things that sound ferocious but never get a sharp, brittle edge. This post-punk track presses forward with all the power of a much heavier band and keeps me glued to my seat.
Play Yr Guitar
1. “Flare Gun” – In Tall Buildings. Like a more perky Album Leaf + chillwave-y, lightly reverbed vocals. I’m totally digging this upbeat, pleasant work.
2. “Hey Blood” – Born Joy Dead. You won’t be able to figure out this wild, careening rock track by listening to a fragment: this one’s a whole experience.
3. “Sophie So” – Hippo Campus. Put everything we know about indie-rock in 2014 into a blender and put it on frappe: out comes Hippo Campus. This joyous, entertaining track is fun on its own, or as a game of “spot the influence.” The overall track has its own vibe, so this isn’t a knock: on the contrary, it shows good musical knowledge. IN OTHER WORDS: YES YES YES.
4. “Picture Picture” – Tall Tall Trees. Kishi Bashi is on this track, which means it’s a complex, giddy, post-everything pop track that is absolutely, totally fun.
5. “It’s Not the Same” – ET Anderson. Some psych is all up in your face with bright flashing colors. Anderson’s psych creeps in around the edges of your vision and makes things slowly more chill and weird.
6. “For the Sun” – Close Talker. Complexity is at its best when it’s present enough to impress but not so obvious that it’s ostentatious. Close Talker’s winding, moody, Bloc Party-esque indie-rock has the best sort of complexity going on.
7. “Chinese Trees” – Lake Malawi. Sometimes you just want a big, happy pop song.
8. “All I Really Want” – The Plastics. I don’t know where we acquired the sky-high male backing vocal as a style, but it’s here to stay. Some nice mid-tempo, mid-’00s indie-rock vibes goin’ on here.
9. “Left, Right, Left” – 12KO. Lake Street Dive is on the forefront of the upbeat neo-soul/jazz movement, and 12KO fits right in there. There’s a bit of funk influence, but generally, this one’s a upbeat, fun, head-bobbin’ tune.
10. “Anthem” – The Maytags. Who doesn’t need some chipper, enthusiastic neo-soul in their life? Boogie down on this.