1. “Home Away” – Valley Shine. This song excellently combines two things I love: enthusiastic folk-pop and Graceland-style African music influences. It’s the sort of jubilant yet suave work that transcends genre barriers and should be appreciated by people across the pop music spectrum. Just a fantastic song.
2. “Brother” – Jack the Fox. Doesn’t need more than an acoustic guitar, some warm pad synths and an arresting voice to totally take over a room. It’s quality on par with Josh Ritter and Fleet Foxes, but doesn’t sound like either artist.
3. “One Day I’ll Be Your Ears” – Mateo Katsu. Ramshackle, enthusiastic, chunky, herky-jerky acoustic indie-pop from the school of Daniel Johnston and Page France. It’s the sort of charmingly off-kilter work that lo-fi was meant to celebrate.
4. “Lil to Late” – Brother Paul. Here’s a fun, easygoing acoustic blues shuffle with hints of rockabilly, vintage country and self-deprecating humor sprinkled throughout. It’s topped off with just the right amount of Motown soul-style horns.
5. “The Time It Takes” – The Show Ponies. This Americana outfit sounds like a Joe Walsh moonlighting as the leader of a Nashville country outfit: saloon-style piano, radio-rock ramblin’ vibe, and male/female duet vocals straight off your local country radio. It’s not usually what I’m into, but it hooked me and kept me.
6. “Return to the Scene” – Aaron Atkins. Weary yet sturdy, this alt-country/folk tune ambles along on the strength of great rumbling bass lines and a convincingly-achy vocal performance.
7. “Phoenix Fire” – Simon Alexander. From the Josh Garrels/Hozier school of intense singers comes this thoughtful, mature pop song with a great chorus.
8. “Melody, I” – Pluto and Charon. A warm, intimate acoustic performance that retains the fret squeaks and string buzz. It’s more rough in its fidelity than Damien Jurado ever was, but it has a similar sort of vibe in the dignified vocals.
9. “Waterski to Texas” – Budo and Kris Orlowski. Now this one really does sound like Damien Jurado, but the latter-day Jurado. Budo and Orlowski walk a fine line between big, sweeping arrangements of singer/songwriter work and a very personal, even raw, emotive quality. The vocals here are particularly fine.
10. “Gold Ring” – Redvers Bailey. This one’s a lovely, romantic, gently layered song that floats somewhere between Josh Radin’s delicate work and the wide-eyed wonder of “Casimir Pulaski Day”-style Sufjan Stevens.
11. “High Rolling” – Jake Aaron. This acoustic instrumental manages to be complex and inviting at the same time, subverting expectations by not just jumping to the highest treble notes for the lead melody. By keeping the melody low and close to the fingerpicked foundation of the piece, the tune feels both comfortable and complicated. It’s very worth your time, even for those who aren’t generally into acoustic instrumentals.
1. “Holy Ghost” – deer scout. Some songs have to grow on me, but “Holy Ghost” is instant: Dena Miller’s friendly, comfortable alto invites you in, and the intimate, burbling guitar asks you to sit down. This is a magnificent song that has me very excited for future deer scout work.
2. “Annie” – Patric Johnston. The acoustic guitar has a mellifluous, perfectly-delivered melody to lead this piece, and Johnston’s voice is buttery and smooth in the way of the Barr Brothers, Josh Ritter, and the like: mature, solid, and full of gentle charisma.
3. “The Weather Girl” – Prints Jackson. This one’s a vocals-forward troubadour folk tune a la old-school Joe Pug or occasional Justin Townes Earle. Jackson knows how to use his voice and guitar to best effect, and the resulting tune shines with an easygoing assuredness. This song has legs, and I hope it gets to use them–more people should know about Prints Jackson.
4. “Rain Thoughts” – Frith. You walk into a new club that’s supposed to classy. You find yourself greeted with the gentle sounds of a musician trained in Tom Waits drama but purveying that work via strings, stand-up bass, gentle piano, and a relaxed tenor. You’re going to like it here, and you’re going to visit more often. (Alternatively: the gravitas of trip-hop worked its way into a singer/songwriter tune.)
5. “All Day All Night” – River Whyless. River Whyless has always wanted to be more than just a folk band, and here they expand their sound with some rhythmic group vocals and satisfying thrumming bass that drops this tune somewhere between Fleet Foxes and Fleetwood Mac.
6. “Firetrain” – Todd Sibbin. The raw, youthful vocal presentation of Bright Eyes’ mid-era work meets the polished horns and wailing organ of early-era Counting Crows alt-pop. (I just mentioned two of my favorite bands.) In short, this is a fantastic pop tune.
7. “Absolute Contingency” – The Ravenna Colt. The lead guitar work and background vocals point toward an alt-country tune out of the slowcore, Mojave 3 school, but the rest of the tune is a shuffle-snare folk tune that’s just lovely.
8. “4th July” – Daniel Pearson. This chipper folk-pop tune has a great harmonica part, a friendly vibe, and really depressing lyrics. At least it sounds happy!
9. “Revolver” – Vian Izak. It’s got that Parachutes-esque Brit-pop mystery to it, paired with the sort of chords and mood that evoke sticky, slow-moving days in the city. The results are unique and interesting.
10. “Out Loud” – Jason P. Krug. Brash but not aggressive, Krug pairs confident melodic delivery and chunky indie-pop/folk with a swooping cello to create an intriguing tension.
11. “Pack of Dogs” – Jesse Lacy. Here’s a full-band folk reminiscence on the joy of youthful friendships that brings banjo, acoustic, wurlitzer, and smooth tenor vocals together excellently.
12. “I Won’t Be Found” – Simon Alexander. The smoothness of traditional singer/songwriter mixed with the raw angst and passion of The Tallest Man on Earth’s vocals creates a distinct push and pull between punchy and silky.
13. “What It Is” – Alex Hedley. The purity and honesty of a fingerpicked guitar line and an emotional vocal melody are never going to get old to me. This particular tune is earnest without being cloying; moody without being morose. Well-balanced. Deeply enjoyable.
14. “Someday feat. Devendra Banhart” – Akira Kosemura. A fragile piano melody is joined by hushed vocals and romantic strings. It’s the sort of song that lovers have their first dance to.
15. “Dear, be safe” – Rasmus Söderberg. What a tender, delicate acoustic plea this is.