1. “Step into the Darkness” – Said the Whale. Sometimes an indie-pop just emerges full-formed, bursting out of the sea with sophisticated arrangements, catchy melodies, intriguing lyrics, and smooth production. Easily one of the best pop songs I’ve heard so far this year.
2. “The Worst in You” – Tyto Alba. Slow-burning track that opens up as a moody indie rock before expanding into a pounding rock conclusion.
3. “Bone Collector” – Julian Lage & Chris Eldridge. A unique acoustic guitar duo creating unique, rhythmically intriguing instrumental music.
4. “Demons” – I.am.hologram. This inventive, satisfyingly unclassifiable 9-minute journey is triangulated from points in post-rock, blues/folk guitar, and indie rock.*
5. “Smash and Grab” – Christopher Giffard. A funky, jazzy, left-hand-heavy instrumental jam that had me head-bobbing from the get-go. There’s a lot going on in this piece, so stick around for the development.
6. “Sal” – K O L T B A C H. Slinky, lithe, and deliciously low-key, this instrumental electro jam is perfectly arranged for maximum effect without hitting any cliches.
7. “Souvenir” – Oh Geronimo. If you’ve ever been in a band that broke up, you’re going to want to listen to this acoustic ballad in a dark room away from people. It nails how I felt when band members moved on; honest, raw, and heartbreaking.
8. “Fancy Footwork” – Les Bohem. Good news for people who love sad news: this is pristine sad music. Consider: this chipper-sounding tune is one of the happiest on the whole double album. If you love sad things, you need to get on this immediately.
9. “Proverba Infero” – Mouse Dog Bird. Slowcore minimalist tendencies, but with the vocals front and center instead of off in the corner somewhere.
*Full disclosure: The PR agent for I.am.hologram, Lisa Whealy, writes for Independent Clauses.
From what I’ve heard that’s come out of Canada, I have yet to be disappointed. Well, except for maybe Avril Lavigne. I’ll narrow the category: folk-influenced indie from Canada can’t seem to go wrong. And Said the Whale from Vancouver doesn’t break this reputation.
Islands Disappear is the quintet’s second full-length album, released October 14. It ranges from gorgeous, picturesque acoustic ballads to more up-tempo, danceable electric numbers, but all have a certain (Canadian?) quaintness that keeps the album cohesive. Even the harder, grittier songs still have a bounciness to them. Part of this charm can be attributed to the harmonies, sometimes inter-gender, that saturate Islands Disappear. Somehow they capture the essence of cute without crossing the line into cutesy, a fine line that’s easy to cross.
These harmonies are instantly wooing in the lovely opener “Dear Elkhorn,” a song about getting lost that is easy to get lost in. (See? I just crossed that fine line into cutesy.) Another gem is the album’s single, the high-spirited, fun, and absurdly catchy “Camilo (The Magician).”
Throughout Islands Disappear, I’m reminded of the vocal lines of The Format, the sunniness of The Shins, and the quirkiness of The Decemberists (a compliment). But Said the Whale doesn’t sound too much like any of them, incorporating their own special sound in each song. For example, the guitar sound in the electric songs is distinctly different in each. And they’ve also incorporated ukulele in several songs, a move I love for several reasons. Personally, as a very amateur ukulele player, I love to hear it being used well in good music that’s not from Hawaii. And this aside, the instrument has a lovely and unique timbre that doesn’t get taken advantage of often. Listen to Said the Whale’s “Goodnight Moon” if you don’t believe me.
Really the only downside of this album is that some of the songs can get repetitive, but this is always due to lyrics and not the music itself. In the grand scheme of Islands Disappear, this factor hardly makes a decisive impact. This album is still very much recommended for adding a youthful diversity to anyone’s music collection.