Independent Clauses | n. —unusual words about underappreciated music

Two EPs: The Coconut Kids / The Wild Reeds

September 6, 2016

coconutkids

The Coconut Kids’ debut release This Time Last Year  proves to be a delightful and complex four-track EP. The instrumentation is comprised of trumpet, two lovely ukuleles, an acoustic guitar, and relaxing percussive elements to create a jazzier Jack Johnson sound. And the powerful vocals pair so well with the relaxed jazzy instrumentation. Finally, the moody lyrics pair with the relaxed, jazzy sound to create an emotional texture all its own.

The tug-and-pull lyrics combine with the delightful instrumentation to create a beautiful incongruity. Right off the bat, the first track showcases this as the repeated lyric “It all went wrong” is paired with a flirty combination of the ukulele and trumpet. The vocal pairings on this EP also prove beautiful. “Richman” showcases the perfect sassy soprano/seductive baritone combination that works so well. In fact, the whole EP gives off Once vibes; I can picture these two people singing these songs to each other in a Once-like world.

“Lullaby (Don’t Say A Thing)” stands out from the rest of the tracks in the many layered vocals and more melancholic sound with the guitar and ever-present trumpet. It’s a slower track with a powerful Adele-like voice that will be sure to blow you away. “Lullaby (Don’t Say A Thing)” is a pleasant way to close out the EP.

thewildreeds

The Wild Reeds’ three-track EP Best Wishes is like an assorted candy sampler displaying the range of sounds The Wild Reeds is capable of producing. The lyrics showcase a variety of human emotions such as hope, dejection, and self-awareness. Similarly, the overall sound varies from classic singer/songwriter to folk-country. The one thing that ties the tracks together is the perfect harmonization from the array of female vocalists.

The lyrics of “Everything Looks Better (In Hindsight)” explore the emotions of dejection, balancing regret and acceptance. The emotive lyrics eventually lead up to the track’s lyrical and instrumental climax, going from gentle fingerpicking to a voracious guitar/drum kit/keys combination. “What I Had In Mind” gives off a very Eisley sound, showcasing the band’s perfectly harmonizing vocal layering. Then “Love Make Me A Fool” comes on and a more cheery folk-country track enters my senses. The track’s classic country rhythms, self-aware lyrics and robust instrumentation make a refreshing end to an eclectic EP.  

The Wild Reeds’ Best Wishes EP is an assorted delight to the senses. —Krisann Janowitz

Don’t fear the country: Zachary Lucky’s ballads will appeal to any fan of acoustic music

March 18, 2014

zacharylucky

Some people are allergic to the term “country”–I admit that I used to be one of these people when I started Independent Clauses. But in the decade since, I’ve come to love the crisp, poignant sincerity of a barebones country track. Zachary Lucky’s The Ballad of Losing You is about as perfect a recreation of that old-school, lonesome country sound as you’re going to find. (Although–It’s entirely possible that this wasn’t what country sounded like, and this is merely what we imagined country sounded like, but I digress.)

Yes, Lucky is as country as they come, even as he tries to apply an asterisk: cowboy hat, the word “ballad” in the title, and pedal steel applied liberally. He even lists his Bandcamp bio as “the laureate of the lonesome song.” Yet he stops short of calling it country–maybe because he doesn’t like the term, but maybe because this will appeal to tons more people if they don’t have to feel like they’re listening to country. Lucky’s smooth voice, delicate arrangements, and calm moods were recorded directly to tape (!), which means that this has all sorts of atmosphere and heart in it. Fans of music as disparate as Damien Jurado, Wilco, Once, and Death Cab for Cutie will all find Lucky’s songwriting to be absolutely irresistible.

Each one of these songs are breathtaking in their stark beauty, but “Merry Month of May,” “Ramblin Man’s Lament,” and “After All the Months We’ve Shared” are memorable in their vocal performances. Lucky’s dusky baritone can carry several hatfuls of emotion in its impressive range; Lucky is an experienced hand, and never pushes his voice to where it can’t go. These songs just seem to spill out of him fully formed, as if he doesn’t have to try to make this happen. The performances are so comfortable as to seem effortless; that’s a rare feat.

If you’re into acoustic music of any stripe, Zachary Lucky’s The Ballad of Losing You is an album you need to hear. It’s a calming album, impressive in its impeccable songwriting and spot-on arrangements. You can sit back with a beer and listen to this all the way through with ease. Highly recommended.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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