Here’s the last MP3 drop of 2013. Some punk, some rock, some electronic, but mostly folk and indie-pop. It’s a good microcosm of how we rolled in 2013. Here’s to 2014!
1. “Hot Dad Calendar” – Cayetana. Female-fronted punk rock that sounds completely natural and inhabited. Pretensions = 0%. Good music = 100%.
2. “Double Secret Agent” – Commitment Bells. From that Bruce Springsteen school of rock that’s not so much rebellious as world-weary yet celebratory in sound, Commitment Bells!
3. “The Church Street Saint Leads the Marching Band for Truth (Demo)” – Kye Alfred Hillig. Hillig burst into my consciousness with the impressive Together Through It All this year, working in a variety of genres to get his emotive songcraft out. This new demo shows off his Paul Simon-esque restraint and melodic skills in a tight, spry, acoustic-based setting. I am thoroughly excited for his 2014 album.
4. “I Saw Three Ships” – Good Shepherd Band. Starts off as a rousing sing-along, then expands into a humongous, impressive arrangement for choir, orchestra, and folk/rock band.
5. “Broke, Not Broken” – Jamie Kent. Working-class, populist folk-rock with a Springsteen bent and great vocal delivery.
6. “For My Young Lord Drake” – Nettie Rose. This old-school country tune is not about the rapper. This tune is, however, excellently balanced between strong fingerpicking and uniquely interesting female vocals.
8. “All of Your Love (ft. Kotomi)” – Germany Germany. I love really kitschy techno, so anytime that a song even hearkens a little bit toward ’90s house and trance, I’m just super-happy. Rest assured there is more nuance here than that, but the influences are there.
9. “I Know You Love to Fall” – Message to Bears. Ambient/trip-hop/breakbeat with pressing piano and swooning strings. It’s super pretty.
10. “Coke & Spiriters (Viva Idiota Remix)” – Cfit. What was an icy, formidable, Radiohead-esque tune gets its chill electronic groove on.
11. “The Big Game Is Every Night” – Songs: Ohia. A heretofore unreleased 10-minute tune by the late Jason Molina in his slowcore style. The band here has a stronger presence than in some of his later, sparser work, allowing for some concreteness to Molina’s often vast, amorphous tunes.
12. “Hurricane” – Snowflake. A similar sense of forlornness and longing characterize this track; the vocals here echo Molina’s, while the arrangements are similarly in a foreboding but not ominous mood. A little more peppy than Molina’s work, but not by much; the guitars do get way heavy though.
13. “Dingy” – Elim Bolt. If you took out the rage from grunge but left the music largely intact, you’d have this track. Or, conversely, this is a less polished Blur. Either way: pop songs with careening vocals and dirty guitars.