Independent Clauses | n. —unusual words about underappreciated music

The Final Electrovibrations of 2015

January 1, 2016

1. “Undercover” – Lane 8 (feat. Matthew Dear). How can one not resist the amorous Matthew Dear lyrics, “Dancing with you, undercover/Feels like there are no more lovers, lovers, lovers, left to discover”? This beautifully melodic house track embodies that magnetic energy pulsating between your mouth and the person’s lips you’re desperately trying not to kiss.

2. “World Away” – Kasbo. There are some songs in which the artist has injected emotion of the highest degree. Kasbo’s ambient, thrilling, intoxicating “World Away” is just that; the drops literally take your breath away, and the pulse pulls and pushes all at once.

3. “Turn Your Back” –  Colder (Patrice Bäumel Remix). I imagine my alien abduction to sound like this: a nebula of disorienting static and electronic pulsing that jolts me towards a black hole of deep house, where I’ll likely never return.

4. “Claim” – Jojee. “You don’t want my heart/You just want to claim me,” Jojee sings over catchy, indie pop that automatically enlists this track in the army of college ladies’ pre-game ballads.

5. “Step 2001” – Wiley feat. Zomby. If you have yet to listen to UK-based rapping, this should be the track to take that virginity. With industrial-sounding production that pops and grinds, like gun shots in a videogame, and tarantula-like vocals that dart with alarming speed, this is grime at its finest.

6. “Baila Como Yo” – District 78. Does this belong in the opening credits of a Western spoof, or a trap-inspired, Latin dance party? “Baila Como Yo” is like a Dillon Francis moombahton track during a birthday party, but with a piñata bursting open with bass when it drops to the floor.

7. “Take Two” – Dave Eleanor feat. Marena Whitcher. If you have a fetish for ____ pauses and heavyweight bass music, you’ve found your match in the slow-mo, dim-lit rattlesnake ring with “Take Two.”

8. “Someone in the Sky” – AFFKT feat. Sutja Gutierrez. Dizzying, disco-like vocals, and lively piano over a techno beat somehow gave me the best song deja vu I’ve ever experienced. It was like I heard this in a dream before…

9. “Kimono” – Submotion Orchestra. “Kimono” sounds like droplets dripping and ricocheting within a vibrating, electronic cylinder; majestic, wind-chilled, and mysteriously exotic; an electronic rainstorm. 

10. “On the Shore” – Luke Top. With brawny, retro-styled vocals similar to The Killers’ Brandon Flowers, Luke Top’s dream-pop track should be served chilled with a lime.

11. “The Parade” – Band of Gold. Alternative, Norweigan duo Band Of Gold radiates supreme optimism in this catchy, ‘90s-esque anthem. With a theme about determinedly “getting to the core,” this track should accompany your drunken scribbling of New Year resolutions.

12. “Love Dies” – Club 8. From the newly-released album Pleasure, “Love Dies” glimmers with a spacey pop sound, teenage nostalgia gliding through effortless female vocals, and a lullaby beginning that, instead of building, stays elegantly reserved in high altitude.

13. “Occasional Magic” – Yppah (Ulrich Schnauss Remix). Lush, frond leaf-type music, perfect for soaking in the natural hot springs of Costa Rica or lighting up in the comfort of your back patio, “Occasional Magic” twinkles and pulses with gorgeously hydrated sounds.

14. “Magic Johnson” – Max Graef & Glenn Astro. From the recently-released Magic Johnson, this throbbing title track has a Flying Lotus vibe, with its groovy bass and stylish synth work. The track creates bounciness and a chill-out atmosphere simultaneously.–Rachel Haney

Lane 8’s Rise: Masterful control of deep house moods

July 2, 2015

Lane 8

Rise, from the San Francisco-based producer Lane 8, is a sleek, dreamy gem of a house record. From the emotion-packed pacing to several male and female vocalists to the thought-out track lengths, Lane 8 has taken into consideration every aspect of the listening experience.

The first track, “Loving You,” is a slow-building standout with dazzling, commanding cooing from vocalist Lulu James.  “Are we gonna be here forever/Wrapped up, captivated,” she sings, comparing love to suspension and treading on water as a dance-inducing techno beat escalates. “I’m a fool for love. I’m a fool for loving you,” James confidently proclaims like a man-eating ‘80s R&B/pop singer, launching an uplifting vibe that pulses throughout the album.

“Diamonds” seduces with hollow percussion that drips like wooden rain, contrasting beautifully with the breathy vocals by duo Solomon Grey. The pair is also featured on “Hot As You Want,” where jabbing synth drops in and out between their misty vocals. The lovingly honest lyrics, “You’re all I need, you’re all I need/You’re all I see, you’re all I see,” compliment the driving nature of the track.

Lane 8 incorporates just as many melodic elements as his heavy tonality. “Klara” uses the same dark, steady rhythm and metallic percussion that you’d hear playing in a Roman aperitivo bar. “Cosi” distorts like a VHS tape being rewound, breaking and pausing only to stir back up again. “Sunlight” and “Rise” are other melodic tracks, the title track blending both dreamy vocals and computer synth for an enchanting, upbeat club quality.

On “Ghost,” a galloping beat canters underneath slow piano; emotional vocals from Patrick Baker give it an Odesza feel at first. It ends up weighing in on the blissful side of deep house though, emitting such happy plucks that it could easily go tropical. “All I want is just to feel you/Everything just looks so see-through,” Baker sings like a ballad on this shorter, feel-good track.

“Undercover” also has that versatility to it. Matthew Dear’s raspy vocals, which balance the track’s high-pitched pop synth and progressive house builds, make this a throw-on-repeat song. Dear’s breathtaking vocal presence on “Undercover” shines at a perfect time on the album, reminding you that there’s a calculated journey Rise is taking you on. If a pan flute or sax was added, this could be a tropical house track ready to lick salt and squeeze limes.

The best way to describe Rise is versatile, like the multi-purpose cleaner of house records, except a lot sexier than that. Lane 8 hits on many varying aspects of deep house, all while staying loyal to his clean, heavy style and proving, once again, that the man masters mood. —Rachel Haney

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

Recent Posts


Independent Clauses Monthly E-mail

Get updates and information about IC, plus opportunities for bands.
Band name? PR company? Business?
* = required field

powered by MailChimp!