1. “Keep It Coming” – Topher Mohr. It’s hard to write a timeless pop song, but Mohr has put together a wonder of a tune that feels like it could have come out of the ’70s AM Radio scene or the mid-’00s MGMT-esque pop stuff. It’s just a great track all around.
2. “Ice Fishing” – The Cairo Gang. The sort of guitar-rock tune that splits the difference between classic rock, Beatles pop, and San Fran garage rock with ease. Between God? and Burger (and its many offshoots) Records, it feels like we’re in a genuine moment for hooky garage rock.
3. “Sugar Coated” – Jessie Jones. It sounds like everyone, from the bassist to the drummer to the vocalist, is having fun on this hooky garage-rock track.
4. “Timepiece” – Ripple Green. Classic rock guitar and vocals meet a radio-ready modern pop chorus, putting a foot in each world.
5. “Dusty Springfield” – The Fontaines. A little bit of indie-rock, a little bit of ’50s girl-pop, a whole lot of catchy.
6. “Long Way Down” – Vienna Ditto. Minor-key surf-punk? Why not? Vienna Ditto own it, complete with whirring organ, honking saxes, and frantic tom rolls.
7. “Big Bright World” – Jeremy Pinnell. This is about as authentic as country gets: western swing rhythms, weeping pedal still, deep-voiced sadness, and a narrator with a former(?) drug problem. Still, the sun shines through, just like the title suggests.
8. “The Night Before” – No Dry County. You don’t have to sound like Bob Wills to catch my ear with a country tune; this modern country tune has a great melody, a solid arrangement, and an evocative vocal performance. It’s like a country Jimmy Eat World, maybe.
9. “Soaring” -WindfallFound. Post-rock of the beauty-inclined variety, complete with distant, processed vocals, Appleseed Cast-style.
10. “She Knows It” – Shannen Nicole. Goes from “ooh” to “whoa” in no time flat: starts off as a dusky torch song, then amps up to a thunderous torcher by the end. A formidable performance.
11. “The Gold Standard” – Marrow. The Hold Steady’s wry, jubilant mantra “Gonna walk around and drink some more” drops the jubilant part here: this low-slung, slow-build indie-rock tune has a woozy calm that belies the sort of difficult, composed walking that comes of one too many drinks.
Here’s a batch of MP3s that I have been long remiss in posting. Also, happy Good Friday to you.
On the Fly
1. “A Warning of Sorts” – CHIRPING. Are we ever done with slick, well-produced, cheery indie-rock from Swedes? No, never. Put on your dancing shoes.
2. “Number One” – The Sideshow Tragedy. Did The Black Keys ever sound sinister? The Sideshow Tragedy has honed the blues-rock guitar/drums duo to a fine point here, packing in energy, melodies, dynamics, and (yes) even some sinister vocal vibes. Whoever can’t get behind a good tambourine needs to get this tune in front of them.
3. “Retro Bastard (KKBB Remix)” – Blood Sport. Kasey Keller Big Band turns out a remix of a song I’ve never heard, resulting in a complex pastiche of zooming digital sounds, heavy bass lines, complex drumming, and hollered vocals. Somehow, it turns into a herky-jerky dance tune, the sort of thing that mid-to-late ’00s dance-rock bands would have jonesed after. Intricate yet danceable, Artsy yet poppy? Turn that up.
4. “Sovereign Gore” – Casual Threats. Jamming post-hardcore’s dissonant aggression, post-punk’s wiry experimentation, and Interpol-esque dour melodies into one track is a tall order, but Casual Threats pull it off with confident aplomb.
5. “Unknown” – Lylit. If you have a way with a “whoa-oh,” you’re going to do well in today’s pop scene. Having an infectious groove that rides the line between dramatic and decidedly happy helps too.
6. “Lost is Found” – Perdido Key. In an age of no-nuance EDM, it’s refreshing to hear a club-ready tune with some atmosphere and restraint. It’s no surprise that it hearkens back to the ’90s–but not too much–to get that feel.
7. “Caves” – Sea Bed. Bouncy, rubbery keys give this dance tune a cool underwater feel, in addition to the boots’n’cats techno beat. (What up ’90s! Two in a row!) The vocal melody is infectious as well. This is way cool.
8. “He’s Heating Up” – Homeshake. So, this comes from an album that’s celebrating ’90s NBA basketball, which is a fantastic idea. Homeshake’s homage sounds like some unique alternate-universe version of Prince: feathery falsetto, vaguely funky mood, and affected sense of drama.
9. “Time For a New School of Alchemy” – ticktock. Glitchy electro had an idiosyncratic sort of beauty to it. This track harnesses bleeps, burbles, and chopped up sounds in the service of traditionally beautiful work that falls somewhere between ’80s synth-pop and modern bedroom chillwave.
10. “Mother of Maladies” – Marrow. I don’t know what it is about keyboards that can ground a funky song so well, but the wurlitzer gives this churning, whirling indie-rock piece a bit of solidity.
11. “Great Divide” – Humming House. Having great “whoa-ohs” helps in folk-pop too, as Humming House knows. Vocals reminiscent of The Avetts’ power this energetic, enthusiastic gem.
12. “When I Rise” – Diamondwolf. Percussion is real important in alt-country, and the stomp-clap drumming makes the mood here. The zinging pedal steel and heavy acoustic strum help too, making this into a powerful stomper of a tune.
13. “Ghost Town (Acoustic)” – Justin Klump. Klump’s voice has some of the trembling passion of Needtobreathe’s Bear Rinehart, but it’s set in a poignant, sentimental acoustic pop arrangement featuring cello and gentle banjo.
14. “Strong” – The Paper Shades. In the midst of this hurried and harried world, we need gentle singer/songwriter duos to tell us to “slow it down.” Unspool your stresses and let the gorgeous waves break kindly over you. Here’s to those who are still carrying the torch of calm.