And now we’ve made it through the full Konami code. Cheers!
Blimp Rock’s pop-rock tune “Let’s All Stay In Tonight” celebrates the joys of staying in your house, inviting your friends over, and drinking tea. I heartily approve. For those who have been to hundreds of shows, a sentiment I have echoed for years: “I see there’s more than two bands on the bill / so I don’t think, I don’t think I’m gonna go / I wish it started at seven / so we could get to bed by 11.”
The Life and Times also celebrates home life in “Passion Pit”: the central character brushes his teeth, washes dishes, gets covered in leaves and hangs out with a housecat. The rest of his rock band follows him around his house. Good times had by all.
Keeping the domestic theme alive, one of the oldest urban living tropes I know of is brought to life here in Tyler Boone’s “Take Aim”: meeting a romantic partner at the laundromat.
In stark, vivid, flamboyant contrast to the first three, Many Things’ video for “Holy Fire” concerns the atypical, unusual, and surreal in a single-shot video of remarkable oddity. It’s not what I expected from this song, but it works. Oh, it works.
Lylit’s clip for “Unknown” is basically a combination of those previous things: there’s a very domestic ’50s flair to Lylit’s wardrobe, hair and surroundings, but the pastel coloring of everything makes it just a bit off-kilter. It’s still a fantastic pop song, on top of that.
“Without A Care” – Turn to Crime. The insistent arpeggiator, the squawking guitar, pushing drums, and repetitive nature of the song make this perfect road rock’n’roll. Also the topical matter, now that you mention it.
“Killer Flamingo Báy” – Flamingo Bay. Manages to be raw and snarling while still also conveying droll boredom with the subject matter. In essence, the most rock’n’roll stance you could take, according to the Vines and Cage the Elephant.
“Loose People” – Sans Parents. This feels like a garage rock song jammed together with a melancholy Beach Boys track, but as if those two things have been waiting to be put together forever.
“Get It Out” – Two Sheds. Lumbering, towering, yet oddly good-natured rock that seems to be trying to engulf its lead singer entirely.
“Struck Matches” – Bop English. It says “English” on the tin, but this cross between roots-rock and Styx is about as American as classic rock stylings can get.
“The Devil Got to Go” – The Through & Through Gospel Review. If Of Montreal ever got conscripted for a prison chain gang work crew…
“All the Time” – Nai Harvest. You look like you need some good, straight-ahead power-pop in your life.
“City Livin’” – Round Eye. Frantic, zinging, careening punk from China. What’s not interesting about that?
“One More Life” – Shy For Shore. I suppose if you hate electro-pop, it’s this sort of thing that you rail against. But I don’t know what’s wrong with high drama, big synths, and yearning vocals–if you’re looking for subtlety, just turn away. If you’re looking for that big moment: feast on, friends.
“Holy Fire (Radio Edit)” – Many Things. Due to its hypnotic ostinato piano line, U2-level bombastic production, and demands to “throw up your hands now,” this thumping-beat pop anthem is contractually obligated to be played only in stadiums and at least 10 feet above the heads of the floor audience.
“Build a Sun” – Wartime Blues. This outfit is trying to cram gleeful abandon into a tastefully restrained orchestral folk-pop band. The results are like Josh Ritter with old-school Arcade Fire creeping out from around the edges.