1. “I Wish I Was a Bird” – Luke Rathborne. Builds a cathedral of sound: a stomping, huge-screen affair that manages yet to have low-key fire embedded in it and a humble, earnest vocal performance. This sort of powerful songwriting and production is uncommon and wonderful–it’s indie-rock that manages to be slightly out of phase with the radio (it’s 8:33!) but oh-so-delightful for lovers of the genre. Anyone still rocking the Yeah Yeah Yeah’s “Maps” will be all up on this, or anyone who would wonder what Josh Ritter’s “Thin Blue Flame” would be like in indie rock format.
2. “DaDaDa” – secret drum band. I listen to a lot of music while I’m reading or writing. Great songs make me love what I’m working on more. The best songs make me stop what I’m doing and just listen. “DaDaDa” is a perfect amalgam of tons of different percussion elements, low-mixed synths, and the occasional found sound/vocal yawp. They manage to make these basic, skeletal pieces of music into a deeply compelling piece of polyrhythmic indie rock.
3. “Gone Away” – Stolen Jars. Turns fluttering flutes and squealing horns into urgent indie-rock, a la The Collection. The subtle, insistent press forward that underlies this track is a rare thing to capture.
4. “People Like You” – Thumbnail. This tune strides the line between American Football-style emo and old-school indie-rock (pre-major label Modest Mouse and Death Cab for Cutie): complex drums, semi-mathy guitar lines, soft vocals, and gentle trumpet come together into a propulsive-yet-dreamy track.
5. “Tree Trunks” – Basement Revolver. The groove locks in and commands headbobbing. The lurching, loping, slow-moving-train of this indie-rock arrangement contrasts excellently against the intimate female vocal performance.
6. “Part3” – grej. Ominous piano, layered percussion, and stabbing flutes create a tense, atmospheric track the likes of which you would hear in a suspense film.
7. “Great Cop (Fugazi cover)” – New Tongues. All proceeds from this furious post-hardcore rendition of Fugazi’s song about police/policed tensions go to Black Youth Project 100. Timely content, excellent performance.
1. “Swimming” – Marsicans. This song dropped April 22, and summer officially started the instant it did. It’s all the best parts of The Vaccines, Vampire Weekend, Tokyo Police Club, and The Drums thrown into one indie-pop-rock amalgam. As a result, Marsicans have created one of the most exciting singles of the year so far, if we judge by the amount of spontaneous dancing it has inspired in me. Totally looking forward to more from Marsicans.
2. “Going Going Gone” – Bows. One summer of my life is captured in the memory of Chairlift’s “Bruises,” which I spun a lot. “Going Going Gone” has that same sort of effortless charm, breezy songwriting, and hooky melodies, so I expect to find this one on my summer playlists a lot.
3. “Love Will Come Back to You” – Two Year Vacation. A sunny, electro-pop tune anchored by a whistling melody (or a whistling-esque synth) and a buoyant sense of summeriness.
4. “Martyrs” – Living Decent. The mixing work here keeps everything in this pop-punk-inspired indie-rock tune feeling open and airy. Vic Alvarez’s vocals mesh neatly with a chiming lead guitar to create a mature yet smile-inducing track.
5. “Last Forgiven” – Luke Rathborne. That snappy snare sound just makes me want to hit the road and roll down the windows. The yelpy vocal melodies and handclaps make me want to sing and clap and have fun right along with Luke. A great summer jam.
6. “Pasadena” – Young Mister. A song about California that sounds just about as bright and shiny as California. If you were a Phantom Planet / The OC person, this one’s for you.
7. “Vampires” – Spine of Man. Beachy, yacht-y, ’80s-inspired indie-pop that’s heavy on reverb, baritone vocals, and the best type of nostalgia.
8. “Squeeze” – Foxall. This is the friendly type of folk punk: the “everyone gather round the guitar” vibe spills out of the speakers. I can hear this being played around a fire on a summer evening at a campsite somewhere.
9. “Barcelona” – TRY. Ah, Spain, another of the iconic Summer destinations. The chorus of this indie-pop-rock jaunt includes a breezily sung “Bar-ce-loooooooo-na,” which is just perfect for the city and the carefree, jetsetting vibe of this song. [Editor’s note: This track is no longer available.]
10. “Things That Get Better” – Boy on Guitar. This female-fronted acoustic indie-pop tune is one for the pessimists: the lyrics marvel at the fact that things have gone well. Walking-speed accompaniment and floating background vocals round out this lovely track.
11. “Fountain of Youth” – Shapes on Tape. Will we see a resurgence of wah-guitar funk and pop now that Prince has left us? If so, Shapes on Tape are at the front edge of the curve with a funky electro jam, complete with guitar reminiscent of Prince’s work. (Or maybe we’re all just thinking more about Prince these days.)
12. “Circadian Rhythm (Edit)” – I.W.A. The tension between cosmic-sounding pad synths that open this and the thrumming synths that follow it set up this chillwave electronic tune excellently. It’s reminiscent of Teen Daze’s best work: melodic, evocative, and interesting without going maximalist. [Editor’s note: This track is no longer available.]
1. “Audubon” – Jon Solo. Here’s a gentle yet expansive sonic soundscape dedicated to the famous naturalist. The arrangement here is simple-sounding yet complex in its construction, which makes for great work.
2. “Taller” – Silas William Alexander. An intimate folk tune that has the gravitas of the best folk singers, an earnest vocal performance that reminds me of my long-lost Page France, and a wistful sweetness that’s irresistible. Alexander is one to watch.
3. “Young Romance” – Redvers Bailey. Makes me think of Juno, The Life Aquatic, Beirut, Belle and Sebastian, honest quirkiness (“I don’t try to do this, this is just how I sing”), and lots of good songs. Mile-a-minute lyrics, chunky chords, humble melodies–what more can you ask for in an indie-pop tune?
4. “Going Home” – Jesse Rowlands. We don’t write real folk tunes that much anymore, but here’s one about a Southern deserter (I’m guessing from the Civil War) who tries to get back to his home. The voice-and-guitar songwriting sounds way more full than just those two pieces. It’s an engaging, beautiful tune.
5. “Little Moment” – Luke Rathborne. Delicate guitar work always gets me; so does the confidence to create small, quiet pop songs. This tune just makes me smile.
6. “Someone to Love Me” – Jont and the Infinite Possibility. Do you miss early-eras Coldplay? Rush of Blood to the Head, Parachutes, etc.? You’ll love the full-band, wide-screen, acoustic-grounded pop-rock here.
7. “Strangers” – Brad Fillatre. The vocal performances in this alt-country tune are deeply affecting, all the more so because of the unexpected nature of the clear, yearning chorus melody in relation to Fillatre’s gritty, rough verse performances.
8. “Hymns” – Grado. A subtle but strong opening guitar line leads into a unique combination of rainy-day indie-pop, modern folk music, and upbeat indie-pop enthusiasm. There’s quite a lot going on here in what seems like a simple, confident tune.
9. “Gentle Giant” – Yankee & the Foreigners. Charming, woodsy, full-band folk for fans of Fleet Foxes, The Fox and the Bird, new-school Decemberists, and Beirut’s vocalist.
10. “Anchor Up” – Eric George. Walking-speed folk troubadour work with great vocals, a stellar production job, and a remarkably chill vibe.
11. “Anchor (Argentum Remix)” – Novo Amor. A For Emma-style Bon Iver vocal performance over fingerpicked guitar and piano chords gets an ’90s techno beat backdrop; to my surprise, it sounds totally rad.
12. “Believe in Me” – Jason P. Krug. A tender keys line (maybe kalimba?) and a swooning cello accompany Krug’s smooth voice and lyrics of Eastern mysticism; reminds me of the quieter Dan Mangan songs, in that there’s a lot of emotion but not a lot of melodrama.
13. “Fire Engine Red” – Robert Francis. Francis sounds completely assured and at home in this minimalist songwriting environment: with a few rim clicks, distant synths, and a rubbery bass line, Francis creates a distinct, careful mood. It gets even better when he layers his acoustic guitar over it.
14. “The Haunted Song” – Maiah Wynne. Wynne wrote a solo vocal piece, then performed it in a big empty space accompanied by claps, stomps, and creepy background vocals. At just over 1:19, it’s intriguing and unconventional.
15. “Fork End Road” – Ark Royal. Big harmonies, swift picking, and great strings–this song hits you with a lot right up front. Gotta love a track that captures you from the get-go. Things get better from there, too.