Ryan O’Reilly’s gorgeously-shot video for “Northern Lights” plays out like a wintry Moonrise Kingdom. The high-drama, piano-led singer/songwriter tune fits perfectly with the video.
Some bands know how to create gravitas out of the same old instruments. There’s nothing unique about the instrumentation in Lowland Hum’s “Odell,” but they wring heartbreakingly powerful indie-rock tunes out of it (a la a catchier Bowerbirds). The video is a perfect foil to the song, pulling the heavy and the light out of everyday experiences.
The swift fingerpicking of Caitlin Marie Bell’s “Mama” is filled out with a gentle alt-country arrangement that calls to mind Laura Stevenson’s immediately-engaging work. Bell’s evocative voice leads the way through the arrangement, resulting in one of the best new songs I’ve heard this year. I’m very much looking forward to more from Bell.
Laura and Greg’s pristine, bell-clear, minimalist songwriting is similar to The Weepies. The terrific video is a lovingly hand-drawn animation that will make you want to watch it over and over.
1. “Muscle Memory” – Laura and Greg. Do you miss the Weepies? Laura and Greg’s precise, delicate picking and close harmonies are augmented by just the right amount of indie affectation to end up with a totally charming outcome. This is sort of song that sticks in your brain and doesn’t let go. I can’t wait to hear where they go from here.
2. “Promised Myself” – Kylie Odetta. There’s an “towering pop vocals” button in my soul, and it doesn’t get pushed by Adele that often (come on, 25!). Kylie Odetta writes those torchy, piano-led dramatic tunes and backs them up with soulful, belting vocals. (The video is an unusual mashup of the “’80s pop star in empty building” trope and Odetta hanging out in a coffeeshop; welcome to 2015.)
3. “The Secret” – Sam Joole. Joole’s got the old-school piano ballad down, and his tender, gentle vocals sell the tune beautifully.
4. “Memoria No. 1” – The Greatest Hoax. TGH offers up more downtempo ambient, but this time with a more electronic bent. More Album Leaf, less Ólöf Arnalds, all chill and wonderful.
5. “Stormy Grey Eyes” – Knitted Cap Club. Meagan Zahora of KCC pushes the “dusky, cabaret dramatic vocals” button, which is right next to the “towering pop vocals” button. This could have been written in the 1920s, which I feel is a major compliment if you’re going to be in this genre.
6. “Four Sisters Part One” – Lowland Hum. This one’s a duet, but the female vocals are no less arresting for being lead by a tenor vocalist. The intimate harmonies on the phrase “use your voice” couldn’t be more perfect in this acoustic tune.
7. “In the During of a Moment” – The Lowest Pair. This duet is lead by the female alto vocalist, with the man chiming in on harmonies. It’s a stark, hushed recording that seems like it could be happening just behind you; the room reverb warms up the whole performance and fits perfectly with the tune.
8. “Hands and Feet” – Lowlands. Vintage rock’n’roll music has been getting a lot of love recently: the ’50s rock vibes here are cut by modern indie-pop melodies in the chorus. It’s an appealing mix. (And yes, I put Lowland Hum, Lowlands and The Lowest Pair in the same mix because seriously how often does that happen?)
9. “Let It Burn” – Magic Giant. MG’s new single is just as hooky, infectious, and enthusiastic as their previous rave-folk tunes. It doesn’t seem like dance music and folk-pop could come together so perfectly, but that’s why you listen to music, right? It always surprises.
Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.