1. “Hero” – Starlight Girls. If you mashed up Tusk-era Fleetwood Mac with modern indie-pop sensibilities, you’d have this powerhouse of a pop song. This is the most infectious, irresistible groove of 2016 so far.
2. “Hang On To Yourself (David Bowie Cover)” – Ancient Cities. Bowie didn’t play much of a role in my personal musical development (I was introduced to him in my 20s), but his shadow looms large over many musicians. Ancient Cities drops a worthy tribute to Ziggy here.
3. “Boys That Sing” – Viola Beach. Sometimes the melody, the lyrics, and the vibe just come together for a great pop tune. Puts a smile on my face.
4. “Crazy Eyes” – Brother Moses. BroMo returns with a breezy, peppy tune that builds on their slacker-rock foundation with some scrambling drums, driving bass and twirling guitars. The compelling vocal tone and delivery are as powerful as ever.
5. “Youth Dies Young” – Til We Have Faces. Well here’s something interesting: A major key indie-rock song that thinks it’s an arpeggiator-heavy electro-jam which builds at the speed of a post-rock tune. By the end it’s almost a Here We Go Magic tune. Totally rad.
6. “Fundamental Ground” – TW Walsh. I don’t use the term “floating” that often, but this indie-pop tune has a lot of the elements that you might associate with floating: lazy rhythms, slightly washed-out vibe, hazy elements chilling out in the background of the tune, a vocal line that seems distant-yet-close. It’s beautiful, in a weird way.
7. “Sometimes (One Night)” – The Golden Peppers. Here’s a tight soul arrangement, blanketed with horns and infused with indie-pop vocal melodic flair. Just can’t get enough Nathaniel Rateliff?
8. “Lucky One” – Why We Love. It seems that the major-key, jangly pop-rock tune is not only immortal, but thriving. Everything about this is fun.
9. “Unicorns Get More Bacon” – Marc with a C. The giddy, funny, absurd, fourth-wall-destroying power-pop of Marc with a C is in fine, fine form in this 3-and-a-half minute jam.
10. “Glad to Be Alive” – Memoir. Draws from funk, reggae, and ’90s pop without camping in any of them, this grounded-yet-bouncy tune is led by neat vocal syncopation and and a mood that just brightens a room.
11. “Touch” – Guard. A hypnotic keys melody and a head-bobbing beat make this into the chillest of remix-ready club tunes. Ibiza beaches for this version, Ibiza clubs for the inevitable reworks.
12. “Still Life” – I.W.A. Blissful chillwave, the likes of which I don’t get to hear very often. Just gorgeous stuff here.
13. “Don’t Complain/Don’t Explain” – Bare Mattress. Like a more existential version of The Postal Service, this unassuming indie-pop-electro track sneaks its way into ears and heart.
14. “Glass” – Howard. This is like the indie-electro/post-dub version of a dystopian movie in which everything looks kind of right but is slowly revealed to actually be dystopian. In other words, the slow burn works great.
15. “I Don’t Want to Know Her Name” – Amber Quintero. Lilting, easygoing, spacious bedroom pop that finely balances lyrical intimacy and wide-open pad synth landscapes.
1. “Saturday” – SPORTS. This evanescent (1:13!), earnest, perky garage-rock track hits all the right notes and touches a chord in me. It’s the perfect mix of enthusiasm and grit. Father/Daughter Records is on a roll.
2. “Vultures” – Delta Mainline. Call it Spiritualized at its most arch or acoustic-based ’90s Britpop (Oasis, The Verve) at its most early-morning woozy–this track is a memorable one.
3. “Wall Ball” – Art Contest. Any band that can make math-rock accessible and hooky is greatly to be praised. Art Contest’s impressive technical chops are only overshadowed by their incredible songwriting ones. This song is an adventure.
4. “There’s No Love” – We Are Magnetic. It’s summer, so I need a continuous stream of brash, upbeat dance-rock tunes. This one plays out like a less yelpy Passion Pit, complete with a giant chorus anchored by a soaring melody and backed with a choir. Get your dance on.
5. “Pistoletta” – North by North. Imagine My Chemical Romance had a little more rock and a little less theatrics, or think of late ’60s/early ’70s rock, right as glam was breaking out and wasn’t really there yet. Soaring vocals, rock drama, and crunchy guitars sell it.
6. “Get on the Boat” – Little Red Lung. This female-fronted outfit calls up Florence and the Machine comparisons through its adventurous arrangements (check that booming cello), minor-key vibes, and front-and-center vocals.
7. “Then Comes the Wonder” – The Landing. An ecstatic mishmash of handclaps, burbling synths, piano, and falsetto vocals creates a song that makes me think of a half-dozen disparate sonic influences (Foals, Prince, Fleet Foxes, and the Flaming Lips among them).
8. “Dust Silhouettes” – CFIT. Glitchy electro-pop noises give way to psych-influenced guitar and vocals, all stacked on top of an indie-rock backline. It’s a head-spinner in the best sort of way.
9. “Take Me Away” – Late Nite Cable. The chorus in this song is the electro-pop equivalent of the sun coming out from behind clouds after two days of rain.
10. “ONE” – Moving Panoramas. Sometimes I wonder what people are listening to when they’re walking down the street with headphones in. This feels like it could be one of those things: a walking-speed indie-pop-rock song with excellent bass work, down-to-earth vocals, and a little sense of wonder.
11. “Alien Youth” – The Albino Eyes. Calls back to the time when synth-rock meant The Cars: the zinging, charming synths over slightly-smoothed out garage-rock is nostalgic in the best of ways.
12. “Strangers” – Balaclade. Balancing guitar crunch with feathery vocals makes this an engaging post-’90s-indie-rock track.
13. “Falling” – Here We Go Magic. This warm, swirly, electronics-laden pop-rock tune calls to mind School of Seven Bells, if their sound was a little more tethered to acoustic instrumentation.
I usually like to get this post to a nice round number, but I didn’t get it there this year. Here’s what my year sounded like, y’all! This post isn’t ranked; instead, it’s a playlist of sorts. My ranked post will come tomorrow.
This is the always-excellent Elijah Wyman of Decent Lovers performing “Bad Thoughts Out” in an active bathroom.
A. The song is wonderful, whetting my desire for more DecLuv tunes.
B. That’s a cloth bird attached to his guitar strap.
C. “Lag?” Whose graffiti tag is “Lag?”
Here We Go Magic, purveyors of my favorite summer song (“How Do I Know”), have now followed that with one of my favorite videos of the year. “Hard to Be Close” is the surreal, quirky, and funny of three guys stuck in an elevator. The song’s pretty great too.
Hotel Eden’s smooth-groovin’ “I Saw You at the Laundromat” turns the titular location into a discotheque. This has never happened to me, but I sure wish it had.
It takes guts to cover Bon Iver; Justin Vernon has created such a hermetic world with his tunes that other covers seem to be trespassing on the real version’s turf. But Sunday Lane and Max Helmerich add in a female vocal counterpoint to “Skinny Love,” giving this version a great reason to exist. It also has a bit of a country air to it, which is interesting.
I’m going on my last summer road trip today, so here’s the video for my summer jam, Here We Go Magic’s “How Do I Know?” It includes a ton of sweet dancing, which I am totally on board with.
Cory Branan‘s grim, stark “Survivor Blues” is the exact opposite of the previous video in everything except its gripping quality. I can’t take my eyes or ears off this one. Branan’s album Mutt just came out in May.
Continuing my obsession with all musical Australians, The Griswolds’ Strokes-meets-Generationals indie-rock is plenty helter-skelter and technicolor to make you move after that downer.
The Buddies’ “All the Beer is Gone” is a song that I can hardly imagining existing without a video. Check the garage-rock goodness and see what I mean.
I’m booking a big summer tour for folk/electronic act The Duke of Norfolk, and that has me busy. (If you live in a city, and you want to play a show with the three-piece, shoot me an e-mail at email@example.com!)
This means that I’ve been listening to a lot of music, but I haven’t been writing about it. Good job, bloggerself. But I absolutely love the Here We Go Magic track “How Do I Know?” that hit my inbox today. It’s a great slice of propulsive summer pop, complete with handclaps, some drifty haze, and boy/girl vocals. Hello, summer.
Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.