1. “e. silver” – Roco. Noises, riffs, rhythms, and vocals collide in atypical ways, creating an exciting, “what will happen next?” environment. Sort of like The Avalanches, or weird trip-hop, or a Beck fever dream, or none of the above.
2. “Where I’ll Be Waiting” – Why We Run. This Snow Patrol-esque tune that falls between alt-rock and indie-rock rides a memorable guitar riff with an engaging guitar tone. The tune’s about a friend with a mental illness, which many of us can relate to.
3. “Permission” – Slow Falling Sun. If you’re into ’90s Britpop, you need to be listening to this bouncy track.
4. “Fatal Vision” – Brice Randall Bickford. Bickford uses his smooth baritone to turn out a vulnerable, engaging vocal performance. His voice leads the way through this almost-weightless, pristinely recorded indie rock tune that will be appreciated by fans of Spoon.
5. “The Great Attractor” – Qualms. Big, round bass and an attractive variety of synth sounds build out this midtempo tune; the vocals ride the waves nicely. Comes out like some mix between Spiritualized and Manchester Orchestra.
6. “The Blue Hour” – Brand New Moon. BNM fuses folk, slowcore electro, and trip-hop to create a unique, fascinating, imaginative track.
7. “Books for the Holidays” – Halcyon Drive. Hits you with the Antlers-style blue-eyed soul/R&B vibe that’s so popular right now, then shifts gears with a ratatat snare into a charging, Bloc Party-esque rock tune without changing vocal style. Now that’s a hook.
8. “Imaginary You (feat. Stahalamora)” – Lyfe Indoors. Ambient? Chillwave? Found sound? Whatever you want to call this, it’s got admirable movement, melody, and arrangement skills. Chill, hypnotizing, mesmerizing.
1. “Red Road” – Trevor Green. It’s hard for me to resist an uplifting, hopeful, fingerpicked folk tune sung in an earnest, clear voice.
2. “Shade in the Shadow” – Dan Lipton. Evocative and cinematic without piling on the instruments, Lipton’s story-song here reaches into the folk tradition for its lyrical and musical genesis (but never feels derivative).
3. “Love Sweet Love” – Taylor Grey. Fun folk pop a la The Lumineers, Twin Forks, and the like, with a female vocalist: prepare for “whoa-oh”s, romantic lyrics, and lots of strumming.
4. “Untethered” – Halcyon Drive. Quirky, affected electro-pop with some crunch amid the smile-inducing pop.
5. “Everyone Wants to Love You” – Japanese Breakfast. This is just an amazing pop song. It sounds like it should already be on classic rock radio and permanently in our subconscious memories.
6. “Warpaint On” – Risley. It’s a tough thing to achieve gravitas, but this indie-rock tune has an emotive gravity to it that makes it hard to stop listening to. The sounds are modern, but it’s got the sort of weight that early ’00s indie-rock (Shins, Death Cab, Modest Mouse) had.
7. “No One Anymore Cares About the War” – Janus 4-14. A frantic, giddy power-pop tune about being in a band when you’re not 25 and single anymore. It’s rad.
8. “Hard” – Los Angeles Police Dept. Far from being a “Super Bowl Shuffle” celebrity romp, this dreamy, floaty chamber pop tune comes out of a single man’s vision. [Editor’s note: Unsurprisingly, Ryan Pollie was not able to keep the LAPD moniker very long. LAPD now goes by Ryan Pollie’s own name.]
9. “Drugs” – Private Island. Funky, groovy, yet not woozy, this track rides the fine line between electro-pop enthusiasm and rock grit.
10. “No Paths” – A Dead Forest Index. Moody, cerebral indie rock that creates a “mysterious woods” feel.