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Tag: G-Eazy

News: Hoodie Allen & G-Eazy / Soundsupply / RunHundred

Hoodie Allen and G-Eazy are going out on tour together! The indie-rock-flipping rappers will be traveling all over the East Coast and Midwest in September; I’ve already got tickets to the Atlanta date. I’m stoked to finally see Hoodie live; IC has been covering him for a long time.

Soundsupply, the music-discovery service whose creators I interviewed recently, is back with a new 10 albums for 15 bucks. This one includes IC faves I Used to Be a Sparrow, Mason Jennings, and Mansions; from the clips in the video below, I’m super-excited about La Dispute and Talons.

Soundsupply Drop 4 from Soundsupply on Vimeo.

I’m getting back into running (it’s always more fun to be a runner than to turn yourself into a runner), so I need music. And RunHundred is there for me, with its monthly Top 10. —Stephen Carradini

If you were working on a workout music time capsule—trying to show future generations what folks listened to in the gym in 2012—the highlights from August alone would nearly do the trick.

In this month’s top 10, running favorites LMFAO, Flo Rida, and Pink all made appearances. Pitbull turned up twice—once in a remix and once with Shakira. And, the year’s two biggest hits (“Call Me Maybe” and “Somebody That I Used to Know”) were both reinvented as club tracks.

Here’s the full list, according to votes placed at Run Hundred–the web’s most popular workout music blog.

Flo Rida – Whistle – 103 BPM

Pitbull & Shakira – Get It Started – 129 BPM

The Wanted – Chasing the Sun – 129 BPM

Calvin Harris & Ne-Yo – Let’s Go – 130 BPM

Pink – Blow Me (One Last Kiss) – 113 BPM

Owl City & Carly Rae Jepsen – Good Time – 126 BPM

Pitbull – Back in Time (Play-N-Skillz Remix) – 128 BPM

Carly Rae Jepsen – Call Me Maybe (Coyote Kisses Remix) – 124 BPM

LMFAO – Sorry for Party Rocking (Wolfgang Gartner Remix) – 130 BPM

Gotye & Kimbra – Somebody That I Used to Know (Tiesto Remix) – 129 BPM

To find more workout songs, folks can check out the free database at Visitors can browse the song selections there by genre, tempo, and era—to find the music that best fits with their particular workout routine. –Chris Lawhorn

SXSW write-ups!

Here are links to every single one of my SXSW posts, in alphabetical order. I’ll post my best-of lists tomorrow.

Avalanche City

The Barr Brothers
The Black and White Years
Black Canyon
Brianna Gaither
Chrome Pony
Cloud Nothings
David Ramirez
Denver Duncan
Desi and Cody
The Ettes
Feathered Rabbit
Ezra Furman
Glen Hansard
Gold Beach
Holy Fiction
Imagine Dragons
Jesse Aycock
Josh Sallee
Little Scream
The Men
Modern Rock Diaries
Mont Lyons
Mother Falcon (@ The Parish) (@Bethell Hall)
O Fidelis
Oh Look Out
The Panda Resistance
The Pretty Black Chains
Scales of Motion
Sea of Bees
Talking to Turtles
Those Nights
Titus Andronicus
The Tontons
Vox and the Hound
We Were Promised Jetpacks
Whiskey Shivers
Wild Belle
Wink Burcham
Zulu Winter

2011: The Hangover

So, the next few days we’ll be tying up some loose ends from 2011.

Rusty G’s sent over a Soundcloud link to their Led Zep-esque tunes; if you’re into old-school riffage, this is your band. “On Repeat” and “Losing You” both have mega lead guitar action, while “Lost Words” forefronts enthusiastic vocals over heavy bass and some chunky chords. Rusty G’s is definitely a band to watch in 2012 – has anyone told NME about these Brits yet?

The Nghiems released a very indie-pop Christmas tune called “Holiday in the OK.” Yes, I am behind. It’s still a good song. Their strong control of mood makes this tune into a winner. If you’ve got snow on the ground (or melancholy in your heart), the mood still works, so pick it up.

Indie-appropriating rapper G-Eazy’s “All I Could Do” is a tour video that I enjoy, because it doesn’t go on too long at just under two minutes.

Happy 2012!

Odds ‘n ‘ends

These guys said that pop music would eat itself, and they were right. But I’m not sure it’s the horrible thing they implied it would be. G-Eazy‘s “Runaround Sue” sees him rapping over Dion’s classic pop song – and it’s great.

The video, with near-perfect appropriations of ’50s dress, hair and make-up, is also worth mentioning as awesome.

Independent Clauses tends toward the quieter end of the spectrum these days, but SLTM (The Podcast) features great harder music, some courtesy of Phratry Records and Chuck Daley at Beartrap PR. I’ve covered a great deal of music from both sources, so I was excited to see someone else upping the good work. Hit up the podcast, which just released episode #116. Whoa.

My friend Jeff, who played with me on this album, was in a band called Best Left with one of the guys who is now half of the acoustic pop duo The Motha Folkin’ Soul. Jeff recommended/dragged me to their show at the local dive, and I went along almost entirely on the strength of the ridiculous name.

The band lives up to their eloquent name: the duo plays dirty ditties to make the members laugh, as wordplay, in-jokes (Kunek/Other Lives reference!) and goofy antics abounded in their short set. Their latest single is “Coffee Sex,” and if the song wasn’t so guile-free and catchy, I’d probably not listen to a song with that title. Instead, the songs are endearing and affecting in a “how is this so sweet?” sort of way. Awesome. Hit up their single here.

And that’s all I’ve got. Album reviews will return tomorrow, much to my own glee (and hopefully yours!).

G-Eazy's new jam

The “G” in G-Eazy could stand for “Generationals,” as the indie-rock rapper’s new jam “Make-up Sex” uses that duo’s “When They Fight They Fight” as the hook. I’m thrilled.

G-Eazy’s new project The Endless Summer drops Saturday.

Hoodie Allen, G-Eazy and Amazon Cloud Player

So Amazon’s new Cloud Player is an awesome idea, but with one catch: their uploader is horrifyingly slow. I decided to upload 18 gigs of music, which isn’t a. all of my music or b. anywhere near 1000 gigs, which is the most amount of space offered. I did all the requisite steps, and when it started to input, it said it had 99+ hours to go. I’m thinking that it’s going to fluctuate downward, as almost all download estimates do, right? No.

It’s going to take five consecutive days.

Now, I know that I’m on a wireless connection, and they recommend a hardwire connection so that it doesn’t take over 100 hours, but seriously. Who has a hardwire these days? The whole point of this cloud is so that I can have my music on my wireless phone, or access it wirelessly from any computer in the world. This is a plain and simple case of needing the thing that the service is trying to kill.


In other news, since my Internet will be heinously slow till Friday, I’ll be doing a bunch of short stuff for the week. This is a bummer because I have a tonnnnnnn of stuff in my inbox that I want to share with you, but the glacial internet makes everything, well, slow. If I didn’t know I wasn’t going to love this Cloud Player, I’d hate it.

So, here’s the latest in indie-samplin’ rap.

Straight off Hoodie Allen’s press release: “NY is Killing Me” is a remix of the Jamie XX re-working of the Gil Scott-Heron song of the same name (SO META!).” The Gil Scott-Heron song is great, the remix is aimless, but the remix of the remix gives the first remix some reason for existing. It is rull meta up in hurr, but I like it.

Also, G-Eazy dropped his latest mixtape The Outsider recently, which features samples from Cults, Dam-Funk, Phenomenal Handclap Band and Vivian Girls, among others. The title track is free at the above link. It’s the one that samples VG. It’s a pretty great track.

Quick Hits: G-Eazy

I’ve been enjoying the new school of rappers throwing down lyrics on top of indie-rock tunes. From Chiddy Bang to Drake to Hoodie Allen (and, ok, the WTF Childish Gambino), they’re popping up everywhere. I love it.

G-Eazy is a rapper in that style. He has two singles kickin’ about the interwebz: The Tennis-sampling “Waspy” and  “Good for Great Remix” of Matt and Kim’s track off Sidewalks, which I raved over a couple weeks ago.

“Waspy” is more of a production job than “Good for Great,” as G-Eazy (who produces his own beats) chops up “Marathon” by Tennis and puts a heavy beat behind it. It’s still recognizable as “Marathon,” which is cool, but the production leaves enough space for the rapping without the song seeming cluttered. The lyrics present a romance between a “punk kid” and a rich “WASPy girl.” The breezy Tennis track evokes an air of Ivy League privilege, making it a perfect fit for the lyrics.

G-Eazy’s rhymes are solid, and his flow is just ragged enough to be interesting. It’s not too erratic, but it keeps attention.

“Good for Great Remix” scrubs most of the vocals from the track and drops G-Eazy’s lyrics in. There is some extra rhythmic production, but it mostly beefs up what was already there. I love Matt and Kim, so I like the remix, even though the lyrics aren’t my favorite. It’s your standard “fuck school, go live life” set, which isn’t my favorite rhetoric (woo grad school!).

G-Eazy has some solid production skills, but I could stand to see his lyrics move above the standard rap motifs. Right now his production talent far surpasses his lyric choices (but not his rapping ability; the boy can rap).