Jacob Furr, whose fingerpicked marvel FinchesI raved over last June, has a batch of new songs called Farther Shores coming on Tuesday. He kindly allowed us to share the first single “Voices on the Sea” in advance of the release.
The song features a chord-heavy version of folk that nods toward his debut album The Only Road. Keening pedal steel, sparse percussion, and accordion lend a high desert feel to the track. The lyrics deal with regrets and travel, which are two of Furr’s consistent themes. The arrangement, vocals and lyrics work together to create a deep sense of longing. If you’re into storytellers like Damien Jurado, Denison Witmer or the Calexico/Iron+Wine collaboration, you’ll be into this.
Much new folk music doesn’t sound like old folk music; it’s merely an appropriation of the instruments and aesthetic of folk (i.e. the West London Folk Scene, with the occasional exception of Johnny Flynn). There’s nothing wrong with playing strummy pop on acoustic instruments; I feel that the world could use more of that, not less. But in terms of rustic beauty, I’ve been coming up short recently without going deep into the country genre.
And not all folk music was country, so this is disappointing. That’s why Jacob Furr‘s music is so refreshing. His three-song EP Finches features opener “Running,” which appropriates the rustic sound of a single acoustic guitar and solo voice beautifully. The songwriting feels timeless in a way that many other folk songs don’t: there’s a bit of gospel undertone in the way he enters the chorus; the harmonica is mournful and high; the rhythm has a gentle, plodding bass line evocative of country music. By the time Furr gently sings, “Hold the world inside your hands” in his calm tenor halfway through, I’m totally sold.
“Still as My Heart” calls up Nick Drake comparisons in the guitar’s melodic structure, and that’s high praise over here. If you haven’t been introduced to Nick Drake, hear this now. If you have, be excited about Jacob Furr. It’s not rustic, but man, it’s just as great to hear someone enfolding Drake influences (or reinventing a rarely found wheel, if Furr came by it naturally).
If that weren’t enough, Furr flexes his modern folk muscles and a bit of Dylan influence on “Marching on to Zion.” Even though the first two thrill me, the third is the only one that gives me straight-up shivers. The poignantly delivered line “Don’t let your worry/steal your joy away” is followed by three percussive guitar taps and a sweetly played harmonica; I don’t know why it is such a powerful moment, but it is.
If you’re a fan of folk music of any variety, Finches by Jacob Furr should be in heavy rotation. It is a flawless trio of beautiful folk tunes, and I don’t use that word lightly. Get it right here for free.
Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.