Logan Lynn is an interesting artist. He falls solidly within electro-pop, but the overall tone is darker than average, with sexual innuendo practically screaming at you within every song. The musical style reminds me a little of Mae or Joy Electric, but other than that I’ve really got no point of reference to help you out with. From Pillar to Post is his newest album, and today I’ve got the pleasure of talking about it on the interwebs.
The album opens strongly with “Feed Me To The Wolves,” a track that’s heavy on the electronic and light on pop. The sound is full and thick, with lots of synth (the good kind) layered under his vocals. The song is a little simple lyrically, but the overall polish more than makes up for it.
Further in, “Write It On My Left Arm” breaks up the rhythm Lynn builds up for himself with faster tempo and some great percussion. It’s one of the standout songs of the album, with great energy and snarky lyrics like, “When the going gets tough / The tough quit going to work.” As the album progresses, you’ll hear little word plays and witty turns of expression that add a lot of personality to the songs.
“Burning Your Glory” is another of the better songs on the album, with talented instrumental composition at the beginning of the track. It has a great beat, though it would have been even better had he included even more variation on the opening theme. Unfortunately, the song is hurt by what feels like an overly-long rendition; it could have been trimmed without losing any strength.
Logan Lynn closes out with “The Dotted Line,” an off-the-wall change to his sound that aptly wraps up everything else. It’s more hip-hop or club than anything before it, with a section of harmonic conflict that only reaches resolution when he enters on vocals. Lyrics are a bit dark, ending with things like, “No one to hold you / no one to sign / no one to sign on the dotted line / …. you’ll have to save yourself this time.”
From Pillar to Post makes for an entertaining listen. Logan Lynn blends his electronic styling perfectly with his vocals, and has created an album that is very clean, adding in nice touches here and there like his verbal wordplay. In later works, I’d love to see him further develop his lyrics – expanding and increasing those touches would make a good artist even better.