I’m not very good at telling the news on this blog, but here are some things that happened and/or are happening.
Hi-res audio’s time seems to have come, what with Pono breaking huge. Hi Res Audio Central wants to be your one-stop shop for all things HRA. Jump on it, if applicable!
NWCZRadio.com is running a Kickstarter to get new gear to keep growing their indie-focused radio station. Three days left!
IC faves The Trouble Starts, Kye Alfred Hillig, and Cloud Person are all part of the initial offering of The Good Pack, which is a system that lets you download (excellent) albums for free, with all donations for that music going to a youth shelter in Seattle. Good music, good cause! LET’S DO IT!
And, finally, it’s time for fall, and that means cooler weather, and that means more running for me. That means RUNHUNDRED. See below. -Stephen Carradini
The Top 10 Workout Songs for October 2014
Fort Wayne, IN – September 30, 2014 – Pop rules in this month’s workout music recap. First off, you have the lingering effects of this year’s MTV Video Music Awards. Collaborations pairing Ariana Grande with Zedd and Iggy Azalea with Rita Ora both received a significant boost in popularity following performances on this year’s broadcast. Moreover, the show is where Taylor Swift debuted the first single from her new album. “Shake It Off” was the most popular, workout song in our monthly poll. Moreover, at 160 beats per minute (BPM), it’s the best song in the list for running.
Remixers also racked up three big tunes this month. Zedd makes his second appearance in the the list with an uptempo version of the summertime smash “Rude.” OneRepublic also find their latest release reworked for the club. Though both of those tracks are geared for the dancefloor, they’d be equally great for a jogging or walking. For a lower rep routine—like kettlebells or Pilates—you might check out the Surkin remix of Charli XCX’s “Boom Clap.” At 93 BPM, it’s on the slower side of things, but it’s lives up to its title with thunderous production that’ll power you through your next session.
On the whole, Top 40 tracks dominate this month’s list. But, there should also be enough alternate versions—plus some crossover hits from upstarts like Kongos and Echosmith—to keep things interesting. So, if you’re looking for something new to freshen up your gym playlist, you’ll find 10 great places to start below.
Here’s the full list, according to votes placed at Run Hundred–the web’s most popular workout music blog.
Echosmith – Cool Kids – 130 BPM
Magic – Rude (Zedd Remix) – 130 BPM
Kiesza – Hideaway – 123 BPM
Demi Lovato & Cher Lloyd – Really Don’t Care – 121 BPM
Iggy Azalea & Rita Ora – Black Widow – 82 BPM
Charli XCX – Boom Clap (Surkin Remix) – 93 BPM
Kongos – Come With Me Now – 104 BPM
Ariana Grande & Zedd – Break Free – 130 BPM
OneRepublic – Love Runs Out (Grabbitz Remix) – 124 BPM
Taylor Swift – Shake It Off – 160 BPM
To find more workout songs, folks can check out the free database at RunHundred.com. Visitors can browse the song selections there by genre, tempo, and era—to find the music that best fits with their particular workout routine. -Chris Lawhorn
Cloud Person‘s Monochrome Places mashes up Irish folk arrangements, Spaghetti Western drama, folk-pop melodies, and a dash of indie-pop flair to create a unique amalgam that is anything but monochromatic. From the Gaelic rhythms and sounds of “Robber Barons” to the ominous Western/Southern mash-up of “Old Demeter” to the Neutral Milk Hotel-ish “Lamppost Eyes,” Cloud Person never lets the listener’s attention wane.
Despite the variety of sounds, the albums hangs together: each part has its turn in the spotlight before all sharing the stage in triumphant closer “Men of Good Fortune.” It’s a full and fascinating album, showing off the significant songwriting skills of Pete Jordan. It takes a strong imagination to even conceive of a thing like this; it takes a humongous amount of work to pull it off with the seeming ease and easy confidence that Jordan and company do. Monochrome Places is a work that should be of great interest to those who like seeing boundaries pushed and disparate sounds integrated into a cohesive whole.
Cfit‘s Morning Bruise EP is an aptly titled release, dousing a hazy, early-morning feel with a deep melancholy. Instead of going the fuzzy, chillwave route, the band modifies the trip-hop format: opener “Coke and Spiriters” transforms strings and stark vocals with a brittle drumbeat to create tension. The ambiguity of the mood is repeated in the lyrics; say the name out loud and listen to what you’re saying. “Heliophelia” uses the same musical tactics of loose, smooth vibe vs. structured rhythmic elements; the morose-yet-soaring “Tenderfoot” sounds like Cfit’s version of “Karma Police” (which is high praise, over here). The vocalist doesn’t sound exactly like Thom Yorke, but it’s close enough for a good comparison–and comparing Cfit to mid/late-era Radiohead isn’t that bad a comparison either. Both are fond of creating disorientation and discomfort out of musical pieces that we’re otherwise very comfortable with. Artsy indie-rock will always have a place in my heart, and so it goes with Cfit.
Inner Outlaws‘ self-titled two-song EP also can be compared to a Radiohead work, both in scope and mood. “Points of Fire” is almost six and a half minutes long, while “Bodies of Water” is nine and a half. The two tunes are rock tunes that subsume all sorts of things within them: pseudo-funky breakdowns, folky asides, ’70s rock sections, crunchy riffs of harder indie rock, even psychedelic bits.
The songs are journeys that are impossible to predict: that’s half the joy in listening, to follow around the whims and fancies of the band. The other half is their melodic prowess, which allows for discrete memorable sections within the overall wholes. One of the most memorable is a dreamy, Lord Huron-esque section toward the end of “Bodies of Water;” another highlight is the OK Computer-esque rock just after the intro of “Points of Fire.” If you’re into adventurous music that will defy your expectations, Inner Outlaws is your band.
Here’s 11 tracks of indie-rock, indie-pop and folk that I’ve been loving recently.
Keep That Summer Alive
1. “Little Lucy” – The Worriers. Somewhere between early 2000s garage rock and highly stylized Vaccines pop-rock sits The Worriers’ excellent track. Viva la indie rock.
2. “Lazer Gun Show” – Hey Geronimo. If you aren’t screaming out “LA! ZER! GUN! SHOW!” by the end of this tune, you’re doing it wrong. You may also be dead. Thank you, Hey Geronimo. Thank you so much.
3. “Who You Are” – Natural Animal. In a perfect world, this song dominates radio, wins VMAs, and is crowned song of the summer.
4. “Science of a Seizure” – Challenger. Ratatat percussion eventually gives way to the best sort of ’80s revival pop. Challenger can make even brittle beats warm and enveloping.
5. “Tell Teri On Me” – Sir Wes Al Gress. Wobbly dub plus bubblegum vocals, shimmering synths, and a walking-pace beat. It’s completely bizarre, but infectious in a strange way.
6. “Once a Servant” – Psychic Teen. In a perfect world, this song dominates… wait. (Generationals, meet your new opening band!)
7. “When He’s Down” – The Lonesome South Comfort Company. Folky, Southern, psychedelic: this band knows how to hit you hard and early. One of the best singles I’ve heard all year.
8. “Robber Barons” – Cloud Person. Celtic vibes from a big string section give this full-band folk assault an anthemic, epic quality. If you think indie-rock is a little too American-sounding.
9. “Ramble” – Rivals of the Peacemaker. The Civil Wars get a little more outlaw (as you’d expect with that excellent name). Try to get this one out of your head, I dare you.
10. “Silent Film Reel” – Breathe Owl Breathe. The orchestral folk-pop of BOB is always earnest, infectious, and delightfully off-kilter.
11. “Happiness Is a Sad Song” – Owls of the Swamp. There are a certain group of people who agree innately with this song title and therefore will be in love with this smooth, mellow tune.
Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.