Every once in a blue moon, Independent Clauses covers modern rock. South Cry‘s album is literally called Blue Moon. I took that as a challenge.
If we’re going to count modern rock on its playing field, we need to be checking for anthemic riffs, soaring vocals, vaguely dark moods and guitar solos. By the 2:00 minute mark in opener “Paradox,” South Cry has delivered all of these things. They’ve even thrown in acoustic guitar for good measure. This band sounds more like Creed than Creed does (and, in this context, that’s a very good thing). And, although critically maligned, Creed sold a bajillion albums. This bodes very well for South Cry.
It helps that they’re actually good at all of the aforementioned parts. The vocalist has a powerful croon that stays locked in to the notes, even when casting off lines nonchalantly (“Lord of Sound”). And their riffs are pretty great too; I had my iPod on shuffle when “L.I.A.R.” came on, and I thought it was a Foo Fighters song at first. Other tunes call to mind Lifehouse and even Silversun Pickups (who, in turn, call to mind Smashing Pumpkins).
The members of South Cry are a bunch of guys from Brazil trying to break into the American scene, but you would never know from the sound. They sound like a melodic modern rock band through and through. If you’re still lovin’ that modern rock sound, you should check these guys out post-haste. Blue Moon is a great collection of modern rock songs that showcases vocal and guitar prowess.