Last updated on May 7, 2019
Seth Nathan‘s Swim opens up with a fuzzed-out blast of ’90s indie-rock in “Four Corners,” building on the discography he’s created recently of fractured indie-rock fusions with various other genres. The rest of the album streamlines out some of the genre mash-ups, focusing on an updated Pavement/Guided by Voices sound. With the music streamlined, it leaves room for Nathan’s attention to turn toward lyrical concerns for most of Swim. “How did you still love me / when everything was wrong in my head?” opens up second track “Pieces of Jade.” The rest of the album could be subtitled Love in the Time of Mental Illness, as Nathan takes the listener on a tour of what love looks like in the midst of “everything was wrong in my head.”
Nathan is remarkably open and detailed about this period of his life, whether that’s the flute-laden psych-pop of “Diagonal” declaring a Mountain Goats-esque couple paralysis (“we’re stuck in a tangle / or a strangle / we can’t handle”), the loping “Sealed My Fate” trying to make sense of a relationship “crashing down,” or the country-esque “This Big Old House” unspooling a rebuilding narrative with an ominous ticking clock in the background. It’s a deeply personal album, but not in the claustrophobic way that many records can be when they try to go this route. The one exception is the title track, which closes the record with a brittle, intense solo acoustic performance that caps the story of the record in an inconclusive, loose-threads sort of way. If you’re into indie-rock albums that are genuinely trying to do things that you can’t do in a regular rock format (that was the goal once, no?), you’ll find a lot to love in Swim.