Independent Clauses | n. —unusual words about underappreciated music

Quick Hits: Jacob's List

January 10, 2011

Do you like happiness? Good. Do you like exuberance? Good. Do you like giddiness? Great, because that’s the level of enthusiasm you’ll need to take in Jacob’s List. Their EP Corks and Screws is as optimistic as Anathallo, as exuberant as The Format and as frenetic as Jack’s Mannequin.

It’s piano-based indie pop, that much is sure. And they’re ecstatic about something, that much is also true. There are handclaps, group singalongs, woo!s and guitar solos. The best example of this is “Claire,” which even manages to pack in some Hold Steady-esque story-song lyrics delivered in a distinctly Craig Finn-ian drawl (albeit more melodic). I swear, if it’s not on your next mixtape, a unicorn will explode into a dozen little rainbows.

But right after they establish that they’re the second coming of The Unicorns (with a piano), they toss in a stomping rock aside. Did I mention it’s the title track? Yes, Jacob’s List knows how to keep a listener riveted. The acoustic-heavy “Tall Tall Grass” sounds like the best things that Annuals have been able to pull off, and “Bloodlines” is eight frickin minutes long. Needless to say, it is awesome.

Jacob’s List know how to throw down an EP. Corks and Screws establishes them very firmly in my mind as a band to watch. No one can make music this exuberant and technically proficient only to stay in a garage. Someone get this band to SXSW! Stat! Until then, I’ll be over here, smiling giddily, listening intently and petting the unicorn.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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