Independent Clauses | n. —unusual words about underappreciated music

Quick Hit: The Painted Horses

March 17, 2015

ponderosapines

I’ve listened to The Painted Horses‘ full-length debut Ponderosa Pines maybe half a dozen times through, and the element that always strikes me is how thoroughly it inhabits my expectations of alt-country. The band plays earnest, acoustic-led, wide-open tunes with Laurel Canyon sweetness, down-home vibes, and a relaxed ethos.

There aren’t any genre mash-ups, curveballs, or left hooks in the ten-song collection. Instead, the band delivers a set of earnest tunes that are solid through and through. From gentle single “Much Too Long” to the pure harmonies of “Desert Skies” to the rolling fingerpicking of “In the Garden” to the saloon piano of “September Rain” and the high lonesome-esque “Black Water,” there are no weak points in the album.

Piano graces the scene here and there; violins waver in and out; the bass bounces up and down like you expect it to. Pedal steel and organ make a cameo in “Georgia.” The whole thing is capped off by tenor vocals that seem to be the human embodiment of the sound they float above (or vice versa, I suppose). If you’re looking for a gentler Dawes, a more upbeat Mojave 3, or something beautiful, I can heartily recommend The Painted Horses’ Ponderosa Pines to you on March 27.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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