Independent Clauses | n. —unusual words about underappreciated music

Quick Hit: Dietrich Strause

November 30, 2016

dietrichstrause

Dietrich Strause‘s How Cruel That Hunger Binds is a sneaky breakup album: it starts off with a folk-pop ode to the narrator’s own human depravity and takes all the way till the eighth track (“Spring Has Sprung”) to get explicit about the fact that getting over someone is hard. Along the way, Strause ponders religion (“Boy Born to Die”), homecoming (“Pennsylvania”), the limits of nostalgia in the face of reality (“Home From the Heartland”), and other introspective topics.

The music is similarly thoughtful: starting from a mature folk standpoint (opener “The Beast That Rolls Within” calls up Josh Ritter, Justin Townes Earle, etc.), Strause adds in all sorts of subtle flourishes to make the tracks pop: horns feature throughout the album, whether blaring (“Lying in Your Arms,” “The World Once Turning”) or warbling sentimentally (“Pennsylvania”), a harmonium provides the backdrop for the mysterious “Around the World,” and Strause incorporates doowop elements throughout (but never in a kitschy way). The end result is a majestic, carefully-wrought album folk-pop album that stands up against multiple listens. Highly recommended.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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