Independent Clauses | n. —unusual words about underappreciated music

Mid-April MP3s: Acoustic, pt. 1

April 14, 2016

1. “Who Are You” – The March Divide. Jared Putnam turns to formal popcraft, creating a splendid little perky acoustic pop tune. Somewhere between “I Will Follow You Into the Dark” and a Shins song, this tune is a lovely surprise.

2. “I’ll Be True” – Crockett Hall. Standing in front of a big Stax Records sign, a raw, rough-throated reverie with soulful, mournful horns in the background.

3. “Low Hymnal” – Told Slant. The dark flipside of twee shows its sleepy, anxious head here. This song is somehow both tiny and expansive in how it sounds.

4. “Already Gone” – Travis Smith. Like a less hyperactive version of Dan Mangan, Smith has a bouncy, chipper flair to his troubadour folk.

5. “Vanishing Shores” – Tom West. Here’s a big, Australian indie-folk singalong with gentle, marimba-esque arpeggiator below it. Hard for me to dislike anything with that description.

6. “C’Mon and Sing” – Chaperone Picks. While we’re on the topic of singalongs, here’s a song about singing along. A rootsy, bass-laden guitar strum creates the structure and most of the arrangement for this not-quite-folk-punk tune, and the results are smile-inducing and foot-tapping.

7. “Burning Bridges” – 2/3 Goat. Led by a clear, bright, strong female vocal, this alt-country tune has a killer chorus that stuck in my mind.

8. “Francesca” – Thurdy. Sometimes you need a gentle, kind ukulele instrumental in your life.

9. “Windfall” – Kalispell. The majestic folk spaciousness of Bon Iver paired with striking, disarming, immediate tenor vocals creates a unique, deeply enjoyable atmosphere. The arranging and recording engineering here are truly remarkable.

10. “Curse the Road” – Austin Miller. The easygoing shuffle of a old-school country song meets careworn vocals to create a tune reminiscent of Rocky Votolato’s early work.

11. “Rattlesnake” – Fog Lake. An appropriate band name to fit this hazy, swaying tune. There’s some angular guitar and some abstract sounds thrown in for good measure, but other than that this is grade-A strength walking-speed bedroom pop.

12. “Everything” – Cavalry. First it made me feel like the first rays of dawn coming over the horizon, then like a gem opening up to the light for the first time, then the great expanses of wide canyons and huge mountains. It’s indie-rock that uses the same instruments you would expect, but their sense of wonder and careful restraint make this an incredible track.

13. “Ruelle (feat. Olivia Dixon)” – Trevor Ransom. Starts off in beautiful piano-based minimalism, grows to dramatic post-rock grandeur, then drops off to develop again.

 

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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