Last updated on May 12, 2019
1. “Finally Happy” – Exzavier Whitley. A major key fingerpicking job that strongly evokes Nick Drake’s work is paired with some heavy lyrics. Delivered by Whitley’s breathy tenor and placed in the context of the guitar work, they aren’t quite as sad as just reading them on a page would be, but they’re still pretty heavy.
2. “Jumping Ship” – Theo Kandel. Lots of people can throw their voice around, but Kandel uses tonal and dynamic shifts carefully (and thus expertly) to take this singer/songwriter tune to the next level.
3. “The Reason for Living” – The Folk Today Project. A short, sweet, simple folk tune that employs a great stand-up bass and solid contributions from the rest of the band.
4. “6 Shots” – Kate Brown. The strum presses forward relentlessly, while the vaguely Celtic strings pull back on the reins. Brown’s alto splits the difference excellently, walking through the tension comfortably and confidently. By the end, Brown has turned in a pretty powerhouse performance vocally.
5. “Silver Mountain” – Adora Eye. The immediate vocal performance and insistent piano call up comparisons to serious folk singers like Josh Garrels and Chris Bathgate. The vibe here is serious, but not so much that there isn’t a bit of swaying that can be done by the listener.
6. “Already Gone” – Wild Rivers. A male/female duet powers this folk-pop tune that sounds like it can scratch the itch left behind by the demise of The Civil Wars.
7. “Teenage Crime” – Rod Ladgrove. Beachy acoustic jams are an intrinsic part of summer, and Ladgrove’s contribution on that front has the mystique of “crime” thrown in on top of a relaxed-yet-carefully-arranged atmosphere.
8. “Catching Elizabeth” – Carter Vail. Here’s another beach-friendly adult alternative pop tune that sounds like a mix between Jack Johnson and James Taylor. There’s a spark in here that sets it apart from the hundreds of other tunes that bear similar explanations; it’s got some groove that keeps me into it.
9. “Blue and Gray” – O.B. Howard. Pizzicato strings provide a contrast to the hazy, relaxed acoustic indie-pop and transform the track into a wonderful piece of lazy-day hammock music.
10. “Last Light” – Maurice Van Hoek. Traditional country is going through a moment right now, and Maurice Van Hoek’s offering continues that old-school vibe with earnest vocals, strong melodies, tender keys, and weeping pedal steel. If you’re on that Sturgill Simpson / Chris Stapleton train, hit this one up.
11. “Can You Tell” – Bird Concerns. The major key folk aesthetics of Blind Pilot meet a West Coast indie-pop sensibility to create a light, enjoyable tune that’s actually about a breakup. Who would have guessed, from the sound?