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John John Brown’s The Road is brilliant, laid-back folk

September 23, 2016

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John John Brown‘s The Road is brilliant, drawing heavily from traditional Appalachian sounds and modern folk revivalists to create 10 songs of back-porch folk that are fully realized in scope and yet casual in mood.

Brown’s dusky voice, an immaculate production job, and a deft arranging hand makes this duality possible. “Dust and Bones” pairs a laid-back percussion line with a spacious fingerpicking rhythm at the beginning, before introducing subtle bass work and two different organ sounds for color. Brown’s superbly comfortable vocal delivery caps off the song beautifully. Even from the first listen, it’s as familiar and lovely as a shirt you put on for the first time and immediately know it will be your favorite one.

“On Our Own” pulls the same trick: the yearning solo violin, distant pedal steel, and hushed background vocals accentuate a lyric set of loss and redemption beautifully. “The Wind” is about as ominous as Brown gets, creating a sense of adventurous danger via keening harmonica. The title track is a jubilant folk tune grounded in big, round bass and a huge chorus vocal melody. “Spirits in the Silence” and “What I Really Want to Do” are a bit more pop-oriented-folk, sort of like Counting Crows, Five for Fighting, or Joni Mitchell’s “Big Yellow Taxi.” Brown carefully crafts each tune to have individual elements that set the songs apart, yet never deviate from the overall chill experience.

This album is magnetic: it’s hard to stop listening once you start. You’ll know all the sounds on each of the songs in The Road, but they way Brown makes them come together is barely short of magic. It’s a rare artist that can make the familiar sound brand new and exciting; Brown is that artist.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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