Last updated on February 25, 2014
Phosphenes by DC’s Imperial China just might be the next big thing! I cannot stop listening to this album! It comes out Valentine’s Day, 2010, as a split release between DC labels Sockets Records and Ruffian Records.
On first listen, I hear this kick-ass, big beat, Battles-type stuff woven through tight, Gang of Four-type post-punk. I am pleased with the release’s total lack of DC-ness (you know… discordant guitars and super-slick, phrase-perfect drumming). The only ring of DC is track three, “Bananamite,” which sounds like a Regulator Watts or Hoover dub jam. Except, this song takes a more Animal Collective, swirly direction toward the hypnotic and repetitive… which serves the album well.
Let me stress that the album is not all instrumental. I would say Imperial China’s vocals sound like Richard Thompson singing for PIL (which – totally an aside – takes me back to my original what if/where is… the band that sounds like Curtis Mayfield singing for Led Zeppelin?).
IC’s artiness is not pretentious. The production of the album has something to do with that. It sounds like a well-mixed, live performance… like a band doing exactly what they do. Imperial China could be huge really soon! They are making intense music, simply, with just three members. Nothing sounds forced; it sounds like they’re having fun. That’s all of the battle!
The drums are smart, block-rockin’, dancey without being disco. The electronics are well-chosen, and very ear-pleasing… intelligent ambiance. The bass is big-bottom dub-dance pump-thump. The guitar lines are based in Metal yet not all slathered in high-gain blubber. The guitars are also quite indie/punk not unlike Minutemen or something from, say, “A Place Called Today” by Hurl. Sorry to use so many “sounds likes” in this review, but Phosphenes took me to a good place!
The band: http://www.myspace.com/imperialchina
RIYL: Gang Of Four, June of ’44, Tortoise, Nice Nice, Trans Am —Gary Lee Barrett