Builder of the House‘s Ornaments is way more Christmas in July than actually a December record. The acoustic album is warm, sunny, mellow, and happy. The tunes unspool at an easy pace, unhurried and unworried. If you’re in a bad mood and want to slowly rise out of it, I can’t think of a better record for it. The standout title track has a bit of Lord Huron in the melodic structure, while “When No One Is Here” feels like a mood-inverted Rocky Votolato song. Smooth, elegant, and yet crisp in its arrangements, this album just hits the spot for lazy summer days and aspirational winter ones. Highly recommended.
As jittery and frenetic as that last one was calm and relaxing, Emperor X‘s Oversleepers International is a feast for fans of that spot where pop-punk, alt-folk, indie-pop, literary studies, political science, and psychology intersect. In other terms, it’s as if late ’90s John Darnielle joined the Weakerthans instead of being compared to them.
“Wasted on the Senate Floor” is a verbal blitzkrieg married to a frantic acoustic-punk band; “Schopenhauer in Berlin” slows down the pace enough for the lyrics to be understandable but still requires you to look up who Schopenhauer is. Elsewhere, Emperor X goes all wacky Ben Folds (“Riot for Descendant Command”), references Anonymous and North Korea in a song called “Low Orbit Ion Cannon” (!!), and creates one of the weirdest travel journals ever (that also doubles as a breakup tune of sorts; it’s the title track, because of course).
Also there’s a techno-dance song and an ambient tune. The English town of Dorset and Vilnius, Lithuania are involved. The songs are crazy and memorable, musically and lyrically–what else could you ask for? Highly recommended.
Zach Winters‘ latest folk records were delicate-yet-intense constructions of great seriousness and import. On To Have You Around, Winters sounds downright loose. “Sometimes I Wonder” starts off in his traditionally ghostly acoustic vein, but turns into a more-than-subtly funky pop song by chorus. It is rad. “If the Sun is Shining” doubles down and gets a funky bass line on a stand-up bass and snazzily jazzy horns involved.
“Do You Really” starts off with the line “taking a shower with a known carcinogen” and proceeds to be a “chill out, stop worrying” song. “Love My Woman” is exactly what you would expect from the title and previous descriptions. Even the instrumental “Buffalo” has a chipper vibe. It’s a new look for Winters, and it’s a great one. If you’re looking for some acoustic-fronted, low-key-funky pop songs, look no further for a great time. Highly recommended.