Independent Clauses | n. —unusual words about underappreciated music

Hello 2015: Acoustic Dos

January 23, 2015

Hello 2015: Acoustic Dos

1. “Back, Baby” – Jessica Pratt. Mystical folk in a husky voice, reminiscent in mood of Carole King.

2. “Victoria” – Tamara Williamson. A haunting, eerie track that incorporates elements of folk, Argentine history (including the death flights), and enigmatic pop sounds (a la Bjork).

3. “I See You, Tiger” – Via Tania. Combines the slow-paced mystery of trip-hop with a ’30s torch song and a ’60s Burt Bacharach arrangement for an enigmatic, enveloping tune.

4. “Portland Square” – Martin Callingham. You’re walking through a dark forest for fun and this music comes on. Instantly you know that you are starting an epic fantasy quest that may cost you your life, but you’re going to be a hero. You start looking for gear and feel no compulsion if you steal it out of empty houses. They have like ten swords there anyway.

5. “Primrose Green” – Ryley Walker. If you’re into rolling, pastoral ’70s folk a la John Denver, you’ll be all over this.

6. “Howl” – The Lowest Pair. I don’t know how a duo can sound so forlorn, but this guy/girl outfit manage to sound more morose than The Civil Wars (in the most endearing of ways, of course).

7. “Gold” – Dorthia Cottrell. If it ain’t a murder ballad, it sure sounds like one. If you like your country with great vocals, unadorned performances, and a side of slightly terrifying, jump on this one.

8. “Slow Time Vultures” – Elephant Micah. As far as I’m concerned, Jason Molina passed his Songs: Ohia baton directly to Elephant Micah. That’s all you need to know about this wonderful track.

9. “Everyone’s Summer of ’95” – Iron & Wine. Remember when it was just Sam Beam, a guitar, and romanticism? Here’s a new song from that era. It’s everything I could possibly want it to be.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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