Last updated on November 20, 2020
Alex Dugan, Mic Vredenburgh, and David Grayson have something to say, and the guys known collectively as Culture Wars are using a self-titled debut EP to do it. The Austin-based trio has been dropped into turbulent times, using that background to make a surrealist splash in five tracks coupled with cinematic visuals.
Each song is topically relevant to the world today. The lyrical subject matter covers greed, dishonesty, vanity, narcissism, and the beat goes on. Tapping Alan Moulder (Arctic Monkeys, The Killers) as producer brings an edge to the music which gives the topics a sonic surge. Completed with mixing by Manny Marroquin (Imagine Dragons, Kanye West), Culture Wars has found a vibe. With Dugan on vocals and electronics, Vrendenburgh on guitar and cello, and Grayson covering drums, this minimalist approach defies the sonic depth produced here. Many of the music videos are directed by Jeremi Mattern and Alex Dugan in the the DIY spirit. Not to be overlooked is the surrealist cover art from Gary Dorsey at Pixel Peach Studios, twisting each lyrical concept into mind blowing graphics. The stage is set to let the music rip.
Culture Wars breathes haunting echoes that flash back to early sounds from The All American Rejects. AAR’s rock was born in Stillwater, Oklahoma, less than twelve hours from Sonic Ranch in El Paso, Texas, where Culture Wars tracked their debut. Great music comes out of unexpected places sometimes. Dugan seems to mirror the vocal delivery style of the Vans Warped Tour headliner and frontman Tyson Ritter from AAR.
“Lies” is a great kick-off to the EP. The song struts, inviting listeners unfamiliar with the boys in the band to join the party. The lyrics seems to fit the current world culture. Dugan, Vredenburgh, and Grayson deliver heavy pop vibes with “Bones” flowing into “Money (Gimme, Gimme)”; each track drives a gritty relevance with current cultural chaos. It’s an electro-music microscope on society–did bands like Talking Heads influence the refrain?
Each song of the EP has been represented in a video, so you can absorb the EP thru Youtube. Visuals play a big part in telling the story of songs like “Hideaway.” That tune peels another layer away of how communication has changed in today’s age of social media. Ending the EP with “Delilah (Tear Me Away)” Culture Wars hits a dance club groove that would make Bowie proud; fun, easy groove flows out here, making a statement with skilled musicianship.
Great music is often born in Austin, Texas, because of the influences of music born nearby. Such is the case with Culture Wars, whose debut self-titled EP was produced by the man who helped give an extra edge to The Killers and Arctic Monkeys. That’s a big deal, but more important is the fact that this trio has talent to match the opportunities that are coming their way. This trio delivers some fresh new pop-rock crackling with echoes of past greats like Bowie blurred in a blender with the best of Warped Tour greats. Poised and ready, Culture Wars has earned a unique spot as an indie pop rock voice today.–Lisa Whealy