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Brother Moses cranks the saturation knob

September 26, 2016

brothermoseslegends

Brother Moses‘ sophomore EP Legends builds on their debut Thanks for All Your Patience by upgrading the sonics of their rubbery, laidback, Spoon-meets-Pavement indie-rock. Their debut EP was almost preternaturally chill; Raymond Richards (Local Natives) gives their sound some punch, while not losing their goofy, waltz-through-it-all charm.

The easiest place to see this is in “Older,” the lone track present on both EPs. The opening synth has become fatter, the drums are more resonant, the tempo is slightly sped up, and the guitars are brighter. The overall effect is like cranking up the saturate knob on a picture: it’s the same thing, but bigger, brighter, and warmer. Elsewhere, the saturation holds in the form of more reverb (the guitars on “Time to Leave”), more ambiance (“Crazy Eyes”), and more expansive songwriting touches (“Pretend”). Some tracks sound like post-punk; some sound like Vampire Weekend chilling way, way out. Throughout, the band is playing with what they can do in a studio, experimenting with what exactly the sounds in their heads can be with a lot of equipment at their disposal.

Closer “Please Stop” is probably the furthest push of their experiments, putting all of their sonic elements together into one track. Mashing all of their ideas into one place results in a tune that doesn’t quite sound like anyone: James Lockhart’s lolling drawl amps up to an anthemic soar over an indie-rock band that has thoroughly ingested modern indie music and spit out their own distinct version of it. It’s a fantastic tune that is more than the sum of its parts–and the parts are all pretty great on their own.

Legends is a brief six songs, but the growth and development from their first EP shows that they’ve got a lot of ideas. Brother Moses has got a great thing going, and you should jump on that.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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