Independent Clauses is a wide-ranging blog, but my home base is gentle, tender, fingerpicked folk. That’s why I’m so jumping-up-and-down excited about Austin Basham, an artist that synthesizes the best elements of David Ramirez and The Tallest Man on Earth (two acts I already love).
Basham’s five-song Linton // Oslo EP shows off a nimble, fragile fingerpicking skill similar to Kristian Matsson’s and an intimate baritone similar to Ramirez’s (“Running“). The production that captures these central elements is immediate–it sounds as if Basham is sitting next to me playing. These three elements together make this EP worth buying, but there’s a wealth of reasons beyond the initial listen.
Basham’s not just a brilliant fingerpicker–eloquent without being gaudy, endearing without being overly simplistic–he’s a solid arranger. These songs feature banjo, horns, strings, whistling and background vocals that float and flutter through the background, providing lift to Basham’s already light songs (“https://soundcloud.com/austin-basham/on-the-hunt”>On the Hunt,” “Running“). He even incorporates flutes into “Find a Way” without stereotyping them. He can’t avoid a good whoa-oh every now and then, but even these biggest of moments seem to fold seamlessly into the vibe. It’s not like a massive riff coming in to take over the song (as in a rock anthem); instead it flows directly out of the things around it. (As it well should be, I think.)
Basham’s vocal performances are another selling point; his voice has a rich quality to it, but he doesn’t just lean on the sound of his voice. He knows how to use it to best emotional effect. He jumps up to a slightly higher range to make a big point; he accents particular lyrics with clipped or drawn-out delivery. The lyrics here are kindhearted love songs, wishing well to a lover (“Lord knows I want you to be whole again,” from “On the Hunt“) and offering affection (“I put my heart in my love, my love for you,” from “Running“). The arrangements and clear-eyed recording style keep the songs from being saccharine, and instead come off as earnest.
I’m frankly blown away by Austin Basham’s Linton // Oslo EP. It’s beautifully written, thoughtfully composed, and excellently recorded. It’s the sort of release that I sort through the hundreds of releases I get yearly to find. If you like acoustic music of any variety (those of the Alexei Murdoch persuasion will be particularly thrilled), Austin Basham should be blasting onto your radar soon–if he hasn’t already. An absolutely gorgeous, knock-out release.