Hoodie Allen and G-Eazy are going out on tour together! The indie-rock-flipping rappers will be traveling all over the East Coast and Midwest in September; I’ve already got tickets to the Atlanta date. I’m stoked to finally see Hoodie live; IC has been covering him for a long time.
Soundsupply, the music-discovery service whose creators I interviewed recently, is back with a new 10 albums for 15 bucks. This one includes IC faves I Used to Be a Sparrow, Mason Jennings, and Mansions; from the clips in the video below, I’m super-excited about La Dispute and Talons.
I’m getting back into running (it’s always more fun to be a runner than to turn yourself into a runner), so I need music. And RunHundred is there for me, with its monthly Top 10. —Stephen Carradini
If you were working on a workout music time capsule—trying to show future generations what folks listened to in the gym in 2012—the highlights from August alone would nearly do the trick.
In this month’s top 10, running favorites LMFAO, Flo Rida, and Pink all made appearances. Pitbull turned up twice—once in a remix and once with Shakira. And, the year’s two biggest hits (“Call Me Maybe” and “Somebody That I Used to Know”) were both reinvented as club tracks.
Here’s the full list, according to votes placed at Run Hundred–the web’s most popular workout music blog.
Flo Rida – Whistle – 103 BPM
Pitbull & Shakira – Get It Started – 129 BPM
The Wanted – Chasing the Sun – 129 BPM
Calvin Harris & Ne-Yo – Let’s Go – 130 BPM
Pink – Blow Me (One Last Kiss) – 113 BPM
Owl City & Carly Rae Jepsen – Good Time – 126 BPM
Pitbull – Back in Time (Play-N-Skillz Remix) – 128 BPM
Carly Rae Jepsen – Call Me Maybe (Coyote Kisses Remix) – 124 BPM
LMFAO – Sorry for Party Rocking (Wolfgang Gartner Remix) – 130 BPM
Gotye & Kimbra – Somebody That I Used to Know (Tiesto Remix) – 129 BPM
To find more workout songs, folks can check out the free database at RunHundred.com. Visitors can browse the song selections there by genre, tempo, and era—to find the music that best fits with their particular workout routine. –Chris Lawhorn
We love Hoodie Allen at Independent Clauses, largely because of his way with samples. Even though his new EP All American does not include any samples, the original beat in “No Interruption” has the same buoyant flair that he previously appropriated out of other people’s music. It’s an impressive transition, and one that has me hoping and thinking about all the directions he could take his sound now that he’s making songs instead of flipping songs. (Live instruments? Eh?) “No Interruption” has me excited for the rest of the EP, and that’s what a good lead single should do. Buy it on iTunes, and here’s the vid:
Do you guys have a job where your boss asks you find and present a music video do describe the cinematographic concept of even weighting? Apparently I do, and so Archer Black’s brand-new video was broadcast to 25 otherwise unsuspecting students today. In honor of the greatest teaching job ever, here’s another music video.
Hoodie Allen‘s Leap Year is an excellent mixtape, and “James Franco” is the cream of the crop when it comes to Allen’s hyper-kinetic, name-droppin’, indie-rock-appropriating rap. The video is appropriately hectic, cramming what I’m convinced is every interesting thing in Hollywood into one video. Except one thing:
So Amazon’s new Cloud Player is an awesome idea, but with one catch: their uploader is horrifyingly slow. I decided to upload 18 gigs of music, which isn’t a. all of my music or b. anywhere near 1000 gigs, which is the most amount of space offered. I did all the requisite steps, and when it started to input, it said it had 99+ hours to go. I’m thinking that it’s going to fluctuate downward, as almost all download estimates do, right? No.
It’s going to take five consecutive days.
Now, I know that I’m on a wireless connection, and they recommend a hardwire connection so that it doesn’t take over 100 hours, but seriously. Who has a hardwire these days? The whole point of this cloud is so that I can have my music on my wireless phone, or access it wirelessly from any computer in the world. This is a plain and simple case of needing the thing that the service is trying to kill.
In other news, since my Internet will be heinously slow till Friday, I’ll be doing a bunch of short stuff for the week. This is a bummer because I have a tonnnnnnn of stuff in my inbox that I want to share with you, but the glacial internet makes everything, well, slow. If I didn’t know I wasn’t going to love this Cloud Player, I’d hate it.
So, here’s the latest in indie-samplin’ rap.
Straight off Hoodie Allen’s press release: “NY is Killing Me” is a remix of the Jamie XX re-working of the Gil Scott-Heron song of the same name (SO META!).” The Gil Scott-Heron song is great, the remix is aimless, but the remix of the remix gives the first remix some reason for existing. It is rull meta up in hurr, but I like it.
Also, G-Eazy dropped his latest mixtape The Outsider recently, which features samples from Cults, Dam-Funk, Phenomenal Handclap Band and Vivian Girls, among others. The title track is free at the above link. It’s the one that samples VG. It’s a pretty great track.
Hoodie Allen has by now pretty much surpassed Chiddy Bang in my book as standard-bearer for the indie-rock sampling rap subgenre. Yes, Drake and Chiddy have higher profiles, but Hoodie Allen just does it better.
He just dropped a video for “You Are Not a Robot” off his mixtape “Pep Rally,” and it’s a pretty polarizing little video. Check the comments to see the effects its had on his listeners, which range from “U ROCK LOLZ FO REEL” to “What the fuck was that?”
It is a bit strange. It doesn’t exactly make sense, as a bunch of kids dressed as robots chase Hoodie under the auspices of catching him and presumably making him a robot. I won’t ruin what happens, but Wes Anderson is smiling somewhere, I think.
Worst comes to worst, you’re reminded of Hoodie Allen, and that’s never a bad thing.
Hoodie Allen is back. After dropping the frenetic, energetic Pep Rally last year, he’s got a new mixtape coming out called Leap Year. The first cut is called “Dreams Up,” and you can download it here. It’s straight-up Hoodie Allen style: RJF chops up a hip indie rock song (“White Nights” by Oh Land) into a beat without getting too crazy, while Allen drops some even flow with a lot of pop culture name dropping. It’s fun. The downside: other than slowing down the speed of his rapping, “Dreams Up” doesn’t show any new sides of Hoodie Allen or RJF. But it is only a lead single; they have a whole mixtape for that.
Either way, if you liked Pep Rally, Hoodie Allen’s still your boy, makin’ it safe for even the most reluctant of rap listeners to get in on the game.
So, as I’ve noted before, I love skateboarding videos. I also love hoodies, Allen and otherwise. So when HoodiePeople.com dropped this skateboarding video featuring really pretty, non-punktacular, ambient-ish music, I was pretty interested. It features some of the best cinematography I’ve ever seen in a skateboarding video, courtesy of DistinctiveSofa Productions. It’s all a bit disorienting for this long-time skateboarding video fan, but the only thing constant is change, I suppose. And if you consider it from an outsider perspective, it’s a pretty gorgeous vid.
So I went running this morning, and it was actually hot. Summer is creeping in, y’all!
Interstitial Summer mix
1. “Confidence” – The Dodos. Here’s a jaw-dropping fusion of intricate guitarwork, indie-rock bombast, and pop sensibility. Thrilled to hear this album.
2. “Southern Belle” – The Radio Reds. Pop-punk is where I’m from, and it’s where I go in summer. This bass-heavy tune reminds me of Titus Andronicus due to the atypical vocal rhythms of the vocalist. Great stuff.
3. “Baton” – Pan. My favorite gleeful post-rockers are back, emphasis on the rock … and the violin.
4. “Back to Bellevue” – Challenger. Summer mixes can always use more ’80s-inspired electro-pop, especially when it’s as bouncy and charming as Challenger’s.
5. “If It Speaks” – Hospital Ships. Hospital Ships plays indie-rock that I immediately recognize but can’t place. Their tunes come from a deep understanding of how indie-rock works, circa 2013. Mighty.
6. “Make It Home” – Hoodie Allen feat. Kina Grannis. Hoodie drops the studio version of the track he and Kina Grannis wrote for Fuze. It starts out with voice and acoustic guitar, but it’s a block party by the halfway point (complete with huge horn sample). The Mets still get a shout-out. It’s still awesome.
7. “You’re Turning From” – Fiery Crash. No summer mix is complete without a lazy, hazy poolside jam.
8. “The Hypnotist” – Owls of the Swamp. And no self-respecting summer mix wouldn’t include a midnight makeout track either, and this Australian indie-folk gem fits the bill perfectly. Swirling, mysterious, and beautiful.
David Ramirez dropped an absolutely mindblowing EP named The Rooster yesterday, and “The Bad Days” is the first cut from the release. If you like singer/songwriters or folk or country or whatever we’re calling it these days, check this out: David Ramirez is winning the game. I’ll have a full rave about it in a few days, but right now, this:
Hoodie Allen has largely graduated from the indie-rock-flipping beats that made me fall in love with him, so it’s nice to hear him doing stuff that kinda goes in that direction. This track is a collaboration with acoustic singer/songwriter Kina Grannis, and it’s pretty awesome. Furthermore, the Mets get a shout-out, so I’m automatically in love with the track. Kina and Hoodie also covered “Anna Sun” by Walk the Moon, which was pretty legit too.
Dresses is from Portland, which explains why the video for jubilant indie-pop tune “Sun Shy” could be called “How to Hipster, 2013 Edition.” I love everything about the song and the video. Holla.
If you’ve got 18 minutes to experience some beautiful tunes, Adam Remnant (of rambunctious alt-country outfit Southeast Engine) debuted four brilliant new acoustic songs on a front porch in the middle of the woods. His weary tenor voice is in full glory in that atmosphere, evocative to a heartbreaking point. Yes. You want to listen to this.
Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.