Independent Clauses | n. —unusual words about underappreciated music

Wolfcryer: Consistently evocative and moving songwriting

January 16, 2014

wolfcryer_wildspaces

One of the things I was most impressed with on Wolfcryer‘s debut EP The Long Ride Home was the easy maturity that Matt Baumann displayed in his lyricism and melodicism. His follow-up EP Wild Spaces shows that it was no fluke: the quiet assurance of a man in his element is all over the four tunes here.

Baumann plays folk tunes, pure and simple: they’re the sort of songs that could be played a century ago or a century in the future and be pretty recognizable. Those barebones arrangements leave nowhere to hide, but Baumann doesn’t need to cover anything up. His evocative baritone deftly conveys nuanced emotion, and he varies his strum patterns enough to make these four songs quite distinct from each other.

The insistent strum pattern of highlight track “Lonely Country” gives the tune a forward motion that beautifully matches the lyrical theme of interstate travel, while the cascading banjo plucking of “This Revolver” provides a fitting backdrop for the smooth, mournful vocals. After a pretty intro, “Better to Be” takes the focus off the strummed instrument and puts in on the poetic, Dylan-esque lyrics. The title track even includes the squeak of fingers against strings; in such a stark environment, the consistent sound counts as a mood-making element in the tune.

Wild Spaces is another incredible four-song EP from Wolfcryer. Baumann is in a groove right now, turning out raw, passionate folk songs that strike all sorts of nerves. If you’re into evocative vocalists, poetic lyricists, or thoughtful guitar-players (which is to say, if you like any part of singer/songwritering done well), then you’ll be into Wild Spaces. Watch for this project in 2014.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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