Last updated on January 6, 2022
I’ve sung the praises of Pedro the Lion throughout this blog. Given The Soldier Story’s moody indie-rock with clanging guitars, I’m going to take it as serendipitous that the second song on Rooms of the Indoors is named “A Lion.” Songwriter Colin Meyer’s voice echoes Bazan’s in tone, and the arrangement shifts from delicate thoughts to towering electric guitars at whim. The overall effect is striking, as Meyer knows how to play with tension, using layering and juxtaposition excellently.
He also knows how to make individual instrumental parts complement each other without competing: The complex, beautiful “When the Thieves Came” is constructed as if it were half clockwork and half Rube Goldberg Machine. Halfway through the tune, Meyer’s playing a spiky ditty on a clean guitar with a kick-drum stomp; the next second, the guitars and bass have distorted, the drums amp up to full-set freakout, and it sounds like a post-hardcore jam a la The Felix Culpa. Then it goes directly back to the spiky little ditty, without feeling disjointed at all. (Meyer got some songwriting help on this track from Jonny Rodgers, no stranger to intricate construction himself.)
Those skills transfer over to the rest of the tunes, whether it’s the fragile, William Fitzsimmons-esque folk of “Gray Clean Suit”; the experimental intro of “Through the Trees”; or the vast, expansive title track, which grows from a forlorn acoustic strum to a rapturous, wild conclusion. Rooms of the Indoors is an album that unfolds its intricacies over multiple listens. I found it interesting the first time, but I see it as much more than that now. Meyer has moving songwriting skills that will grip you, if you give him your attention. Recommended.