Independent Clauses | n. —unusual words about underappreciated music

The Ridges' debut is an exhibit of confident orchestral folk

June 25, 2011

One of the reasons I love working with Independent Clauses is that I like seeing things improve. Tracking a band from its very beginnings to success is a gratifying process, especially when I can hear bands improving on things I (and others) have pointed out in previous releases.

This is probably why The Ridges‘ self-titled EP is a bit baffling to me: there’s almost nothing I can recommend. The band has appeared fully-formed. The members have their orchestral folk rock down. People are going to like this or hate this not because it has to grow, but because people just do that with bands.

The EP fits the formula of what a great short-player should be almost to a T. There’s an establishment of the sound (“The Insomniac’s Song”), complete with pensive string intro. “Overboard” tweaks the formula by introducing sea shanty elements. “Not a Ghost” is their “single” – it’s an easily memorable, jaunty, interesting song with a good melody.

“Invented Love” is almost a perfect example of a third act turn, to prove the band isn’t a one-trick pony: it’s upbeat and enthusiastic without abandoning the core sound. “War Bonds” brings the sound back home to the beginnings with a killer closer. In short, they tick off everything I want to hear in an album/EP except a pensive acoustic track.

So as an Independent Clauses review, this is pretty unusual: I have no suggestions, really. It’s just plain good. I’d like to hear more of this, especially as their melodic strengths are honed to a fine point. As a statement of what this band can do, The Ridges’ EP is one of the strongest and most assured debut I’ve heard all year. Now they just need to dig world-conquering songs out of the vein they’ve already started to mine.

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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