I’ve been repping The Parmesans as hard as I can for as long as I’ve known about their music, as their bluegrassy/folk-poppy/traditional string band maelstrom is endlessly fun. Their new album Flat Baroque continues their streak (now three albums and two EPs long) of fun, clever, interesting, smile-inducing releases.
They lean heavily on guitar, mandolin, stand-up bass and three-voice harmonies, and it works perfectly. The Parmesans have a habit of recording their favorite songs multiple times (“Delirious Dream,” “JuJaJe” and “See For Yourself” reprise this time), and that gives their albums a feel of a backporch concert that just keeps rolling on. They didn’t record “Walls for the Wind” this time, but hey, they might go for a fourth round on the next album. It’s that sort of off-the-cuff attitude to track listing that’s infused in the tracks themselves. The Parms are clearly having fun, and that is hard to miss as a listener.
They’re developing a signature melodic and rhythmic style in the guitar, which is really cool. It’s fun to hear sounds develop over a long period of time. They’ve also figured out what type of song they’re really good at; consequently, there are no bad tracks on Flat Baroque. “Call Me When You’re There” and “Bad Idea” stand out among the new tracks, but all of them are worth repeating multiple times. They tracked this one live, as they have all their other albums; the difference is that they did so at Tiny Telephone in San Francisco. They’re moving up in the world! If you’re into fun, unique takes on traditional string music, then Flat Baroque is most definitely for you.
They’re on tour right now; they’re passing through Raleigh (Fuquay-Varina!) on Sunday. I’ll be there, hoping for “Walls for the Wind” and “Bad Idea.”