Independent Clauses | n. —unusual words about underappreciated music

The Final Electrovibrations of 2015

January 1, 2016

1. “Undercover” – Lane 8 (feat. Matthew Dear). How can one not resist the amorous Matthew Dear lyrics, “Dancing with you, undercover/Feels like there are no more lovers, lovers, lovers, left to discover”? This beautifully melodic house track embodies that magnetic energy pulsating between your mouth and the person’s lips you’re desperately trying not to kiss.

2. “World Away” – Kasbo. There are some songs in which the artist has injected emotion of the highest degree. Kasbo’s ambient, thrilling, intoxicating “World Away” is just that; the drops literally take your breath away, and the pulse pulls and pushes all at once.

3. “Turn Your Back” –  Colder (Patrice Bäumel Remix). I imagine my alien abduction to sound like this: a nebula of disorienting static and electronic pulsing that jolts me towards a black hole of deep house, where I’ll likely never return.

4. “Claim” – Jojee. “You don’t want my heart/You just want to claim me,” Jojee sings over catchy, indie pop that automatically enlists this track in the army of college ladies’ pre-game ballads.

5. “Step 2001” – Wiley feat. Zomby. If you have yet to listen to UK-based rapping, this should be the track to take that virginity. With industrial-sounding production that pops and grinds, like gun shots in a videogame, and tarantula-like vocals that dart with alarming speed, this is grime at its finest.

6. “Baila Como Yo” – District 78. Does this belong in the opening credits of a Western spoof, or a trap-inspired, Latin dance party? “Baila Como Yo” is like a Dillon Francis moombahton track during a birthday party, but with a piñata bursting open with bass when it drops to the floor.

7. “Take Two” – Dave Eleanor feat. Marena Whitcher. If you have a fetish for ____ pauses and heavyweight bass music, you’ve found your match in the slow-mo, dim-lit rattlesnake ring with “Take Two.”

8. “Someone in the Sky” – AFFKT feat. Sutja Gutierrez. Dizzying, disco-like vocals, and lively piano over a techno beat somehow gave me the best song deja vu I’ve ever experienced. It was like I heard this in a dream before…

9. “Kimono” – Submotion Orchestra. “Kimono” sounds like droplets dripping and ricocheting within a vibrating, electronic cylinder; majestic, wind-chilled, and mysteriously exotic; an electronic rainstorm. 

10. “On the Shore” – Luke Top. With brawny, retro-styled vocals similar to The Killers’ Brandon Flowers, Luke Top’s dream-pop track should be served chilled with a lime.

11. “The Parade” – Band of Gold. Alternative, Norweigan duo Band Of Gold radiates supreme optimism in this catchy, ‘90s-esque anthem. With a theme about determinedly “getting to the core,” this track should accompany your drunken scribbling of New Year resolutions.

12. “Love Dies” – Club 8. From the newly-released album Pleasure, “Love Dies” glimmers with a spacey pop sound, teenage nostalgia gliding through effortless female vocals, and a lullaby beginning that, instead of building, stays elegantly reserved in high altitude.

13. “Occasional Magic” – Yppah (Ulrich Schnauss Remix). Lush, frond leaf-type music, perfect for soaking in the natural hot springs of Costa Rica or lighting up in the comfort of your back patio, “Occasional Magic” twinkles and pulses with gorgeously hydrated sounds.

14. “Magic Johnson” – Max Graef & Glenn Astro. From the recently-released Magic Johnson, this throbbing title track has a Flying Lotus vibe, with its groovy bass and stylish synth work. The track creates bounciness and a chill-out atmosphere simultaneously.–Rachel Haney

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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