Independent Clauses | n. —unusual words about underappreciated music

Teleprompter's enthusiastic post-punk/post-hardcore calls up great references

June 21, 2011

Two of my all-time faves are Bloc Party and LCD Soundsystem. Both are currently not in existence (although BP is supposedly coming back!), which is a depressing state of affairs. But Teleprompter made my day as soon as I pulled up their self-titled EP, as the band sounds almost exactly like Silent Alarm-era Bloc Party. And I love them for it.

When I say exactly, I mean down to the guitar tone. The vocals are higher in pitch than Kele Okereke’s, but other than that, these songs could be outtakes from BP’s masterful debut. Again, this is nothing but a compliment: the reason these could be outtakes is because the songs are the same quality as the A-sides these are aping. And if you cry foul, I dare you to listen and discredit. These songs are legit.

From the guitar storm at the end of “Dinobot” to the herky-jerky riffs and dance-rock drums of “Banshee” to the chiming melodic patterns of “Lung-Tied,” these songs evoke all the best parts of early ’00s indie-rock. But then there’s a hard right midway through “Lung-tied” and into “Lambda”; the band starts showing off its post-hardcore elements as opposed to its post-punk forebears. MeWithoutYou fans, eat your heart out: the vocalist starts hollering like Aaron Weiss, and the band drops into a groove that wouldn’t be out of place on Catch For Us the Foxes. Did I mention that one of the first bands that got me into serious music was MeWithoutYou?

Is Teleprompter’s self-titled EP stuff you’ve heard before? Yes. But it’s stuff that you can’t get anymore; MeWithoutYou and Bloc Party have long since shed these personas. Teleprompter shows a lot of promise to grow into something fantastic; they’re definitely on my top newcomers of the year based on the strength of this five-song EP (There’s a clubtastic remix of an old tune tacked on the end; it’s fun but not indicative of their future).

And if they don’t change at all? I’ll still love ’em.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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