Independent Clauses | n. —unusual words about underappreciated music

Late June MP3s

June 28, 2017

1. “Somethings” – Sariah Mae. This song sounds like it was blown out of a bubble wand: a round, gleaming, shimmery, light thing that lolls along in the wind. Indie pop at its shiny, bubbly best.

2. “Super Natural” – Turnover. Does the thing has emerged in my family as a term of high praise: you need to do something, you select a tool to do it, and the tool works perfectly. It does the thing. This dream-pop tune does the thing: it has reverby guitars, delicate vocals, loping bass, and enough energy from the drums to keep the “pop” part working. Just totally solid.

3. “Bright and Blue” – Tomo Nakayama. This indie-pop track feels like walking on clouds, what with the ethereal pad synths in the background, the walking-pace shuffle snare, and the friendly vocal approach. Very excited for this upcoming album.

4. “All My Faith” – The Last Dinosaur. An intimate-yet-sweeping acoustic indie track that calls to mind Michigan-era Sufjan and other lush-arrangement singer/songwriters.

5. “Altaïr” – Camel Power Club. Well, isn’t this a wild mix: synths, acoustic guitar, ’90s hip-hop beats, bongos, breathy vocals, theremin-esque sounds, and more are all wrapped up in a smooth, grooving electro-indie-pop tune. Whoa.

6. “Living in Fame” – Fever Kids. The feathery vocals that provide the lead hook for this tune fit perfectly with a slightly ominous, LCD Soundsystem-esque bass line and create a sort of post-disco indie-pop track. The vibe here is unusual and exciting.

7. “Duluoz Dream” – Sal Dulu. A bleary-eyed jazz trumpet provides the entry point into this low-key indie-electro instrumental, squiggly bits, mournful piano, and other sounds come together to create a chill, head-bobbin’ piece.

8. “July” – Ellie Ford. Some jaunty flamenco rhythms on a nylon-string guitar provide the base of this song, which then expands into a carefully-coordinated minor-key indie-rock tune led by Ford’s delicate voice.

9. “If You Saw Her” – Mark Bryan. The quirky, plunk-plunk lead melody in this folk/country tune is a weirdly infectious riff. The rest of the tune is a bright, clear, folk/country tune guided to its satisfying conclusion by an assured hand and a lithe voice.

10. “Stronger than My Fears (Naked Session)” – SHEL. This acoustic folk tune rides on beautiful melodies, a subtly excellent arrangement, and impressive harmonies throughout.

11. “Watching From a Distance” – David Ramirez. Ramirez updates his country sound with burbling electronics, Simon and Garfunkel-esque percussion, and a large arrangement more reminiscent of indie-folk than stark country ventures. It’s a surprising, excellent turn. His voice is still amazing–nothing changed there.

12. “I Wanna Go Down to the Basement” – Wooden Wand. Loopy, chilled-out folk that asserts “I am no longer afraid”; despite these reassurances, James Jackson Toth’s voice has a jittery quality that gives the song energy.

13. “Take Over” – Tom Rosenthal. Fans of Greg Laswell and Rush of Blood to the Head-era Coldplay will love this piano-driven tune, which pulses and pushes forward and yet still remains intimate.

14. “Killing Me” – Luke Sital-Singh. The emotional piano ballad is tough to pull off, but Sital-Singh here provides a master course on how to do it right. This song is emotionally devastating.

Dat News: August 2014

August 5, 2014

Here’s some news of the world.


The Music Collaborative
is an extended group of friends centered around one woman (who also runs Sushi and Queso Designs). The idea is simple: e-mail all her friends and family each week for what they are listening to, then make a playlist out of it and put it on Spotify. You can access the playlists from Facebook or Spotify itself. The list is extremely diverse, with showtunes, rap, indie-rock, top 40, and classic rock all getting rep. Fun times! If you want to contribute to the mix, you can post on the Facebook wall. If you want to know what I’m listening to each week outside of stuff I cover, here’s a good way to find out. (Not a big secret, though: It’s mostly Mountain Goats songs.)

The Lightning Magazine proposes to be a quarterly counterculture magazine (printed on real paper, because who does that anymore?) that has a 20-album series associated with it. That’s a ton of music. Most notably for IC readers, old-school IC faves Pontiak are in on the thing. Here are some other people involved, listed as they styled the names:
SHINJI MASUKO (DMBQ/BOREDOMS) / CY DUNE / WOODEN WAND / PEOPLE OF THE NORTH / SAM AMIDON / CHRIS FORSYTH / WILLIAM TYLER / GREG SAUNIER (DEERHOOF) / AMERICAN CULTURE (and a bunch more). Finally, here’s a short video and description of it in their own words.

IC faves Soundsupply have teamed up with IC faves Deep Elm (as well as The Militia Group) to put out a drop that includes unsung emo heroes Brandtson’s full discography. Seriously, Brandtson and The Appleseed Cast pretty much were Deep Elm to me for a long time. You owe it to your emo-revival-loving self to check out Brandtson if you haven’t. 10 albums! 15 bucks! Totally!

Finally, I have been tapped to join the board of directors for North Carolina non-profit record label Croquet Records. This is really exciting to me, because who doesn’t want to be on a board of directors? Just kidding. I’m really pleased that I’ll be able to work with North Carolina-based singer/songwriters through this record label. (And I’ll make sure to publish any conflict of interest statements that are necessary.) The label will spring into action in 2015, so get ready for that.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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