1. “Crickets” – Some Army. Some Army sounds seamless here, as if every instrument were playing together as one. That’s a credit to their mature, strong indie-rock songwriting, excellent arranging, and immaculate production. Quite a track here.
2. “Flashback” – Astral Cloud Ashes. If you’re into MeWithoutYou, you’ll have a strong connection with ACA’s approach here: speak/sing vocals over a moody, brooding indie-rock backdrop.
3. “Ticks” – Vienna Ditto. This wildly inventive track requires some oddball words to be strung together, but here goes: sassy ’50s girl pop meets Spaghetti Westerns outside an arcade inside a dark carnival. Sometimes it is like dancing about architecture.
4. “The Joke” – Islands. A thrumming, inviting electro beat meshes with a claustrophobic mood and somehow keeps the song from going full dance-rock; big Bloc Party vibes abound.
5. “Johnny” – Basement Revolver. It takes a lot to get me interested in a mid-tempo garage rock song, because there are so many in the world. Basement Revolver’s perfectly-turned vocals, well-done guitars, and excellent build-ups result in a song that balances vulnerability and confidence neatly.
6. “Woman” – Dear Life,. Quirky, crunchy indie-rock with a multitude of influences that create interesting moments when I least expect them.
7. “Real” – Grace Joyner. Joyner’s lilting voice and engaging chorus hooks suck me in, and the bass/synths arrangement keep me swaying along to the rest of it.
8. “Young Green Eyes” – Leaone. This feels like a male-fronted version of a lost Adele song in its dramatic sweep, use of vocals, and general expansiveness. Could be poised for a big breakthrough.
9. “Even If” – Jesse Owen Astin. So it’s sort of a ballad, but there’s an electro-pop edge in Astin’s vocals that keeps this a little more raw than a ballad would otherwise be.
10. “I’m a Sea Creature” – Color Majesty. Space Age Bachelor Pad music meets some Pogo-esque glitchy vocals to result in another really smooth track.
1. “Keep It Coming” – Topher Mohr. It’s hard to write a timeless pop song, but Mohr has put together a wonder of a tune that feels like it could have come out of the ’70s AM Radio scene or the mid-’00s MGMT-esque pop stuff. It’s just a great track all around.
2. “Ice Fishing” – The Cairo Gang. The sort of guitar-rock tune that splits the difference between classic rock, Beatles pop, and San Fran garage rock with ease. Between God? and Burger (and its many offshoots) Records, it feels like we’re in a genuine moment for hooky garage rock.
3. “Sugar Coated” – Jessie Jones. It sounds like everyone, from the bassist to the drummer to the vocalist, is having fun on this hooky garage-rock track.
4. “Timepiece” – Ripple Green. Classic rock guitar and vocals meet a radio-ready modern pop chorus, putting a foot in each world.
5. “Dusty Springfield” – The Fontaines. A little bit of indie-rock, a little bit of ’50s girl-pop, a whole lot of catchy.
6. “Long Way Down” – Vienna Ditto. Minor-key surf-punk? Why not? Vienna Ditto own it, complete with whirring organ, honking saxes, and frantic tom rolls.
7. “Big Bright World” – Jeremy Pinnell. This is about as authentic as country gets: western swing rhythms, weeping pedal still, deep-voiced sadness, and a narrator with a former(?) drug problem. Still, the sun shines through, just like the title suggests.
8. “The Night Before” – No Dry County. You don’t have to sound like Bob Wills to catch my ear with a country tune; this modern country tune has a great melody, a solid arrangement, and an evocative vocal performance. It’s like a country Jimmy Eat World, maybe.
9. “Soaring” -WindfallFound. Post-rock of the beauty-inclined variety, complete with distant, processed vocals, Appleseed Cast-style.
10. “She Knows It” – Shannen Nicole. Goes from “ooh” to “whoa” in no time flat: starts off as a dusky torch song, then amps up to a thunderous torcher by the end. A formidable performance.
11. “The Gold Standard” – Marrow. The Hold Steady’s wry, jubilant mantra “Gonna walk around and drink some more” drops the jubilant part here: this low-slung, slow-build indie-rock tune has a woozy calm that belies the sort of difficult, composed walking that comes of one too many drinks.
1. “Make Me Wanna Die” – White Reaper. If Oasis had been playing at 40 bpms faster and way thrashier, you’d end up with this catchy, snarling, fun track.
2. “Hard 2 Wait” – Iji. My first thought when I get a pseudo-disco tune is not, “Oh yeah, that’s my jam.” But somehow, Iji has won me over with this charming retro nugget. It helps that the disco is fused to a San Fran indie-pop sort of sensibility.
3. “Punk Band” – Conrad. Actually a synth-pop band with some chillwave inflections and post-punk rumbling bass singing about a punk band. Joins “The Best Ever Death Metal Band out of Denton” in the “odes to other genres” genre. It’s pretty great.
4. “Oh Josephine” – Vienna Ditto. Pulling back from their brittle ways, but not their noir drama ones, Ditto delivers a smooth, sultry indie-rock cut with a hint of trip-hop glamour to it.
5. “Bibleblack (demo)” – Autumn Owls. That sort of ominous, artsy, glitchy rock that Radiohead burst into the public consciousness is on display here. AO is following up on their debut of dark, melodic indie-rock with a new album later this year (after their lead singer recovers from–oh no!–a mugging).
6. “Asleep in the Pine” – Birds of Night. Do you remember that moment when Band of Horses was the biggest thing going? Birds of Night totally do.
7. “Aleph” – Battle Ave. The band’s raw, frantic rock has met atmosphere and jangle since we last heard it, resulting in less panic and more mumbly confidence (is that a paradox/oxymoron?). New York cool permeates this tune, even though Upstate New York is part of their story instead of the city.
8. “Singing Tower” – R. Ring. Two rock vets team up for a poignant, delicate acoustic lament. Seems like if you can write a song somewhere, you can write a song in a lot of places.
9. “Kote’w Te Ye” – Beken. Sometimes a song comes along that’s so fresh, warm, and bright that it just lifts the clouds of whatever’s going on. The raspy, gravitas-laden voice of Haitian Beken, who sings in Kreyol, is accompanied by an easygoing group of male singers, tom-heavy percussion, and a lively acoustic guitar.
Jasmine Kaset’s video for “Lionshare” is a beautiful indie-pop tune set to gorgeous visuals of a natural history museum. Clips like this make me think, “It’s not rocket science, people.” But this sort of stark simplicity is way more difficult than the finished product looks: mad props to the editors.
Dreamy nostalgia is an effect desired by many, both in the visual and sonic realms. French for Rabbits accomplish the much-sought-after feel with a soft, grainy video style, a gentle indie-rock vibe, and heart-tugging scenes.
This Vienna Ditto song is great, and the accompanying video is bonkers. (The ending is deeply enjoyable.)
Brian Lopez’s “Crossfire Cries” clip is hilarious on its own, but it’s even better if you’re watching for details. If you stop the video on the frame where the contract is offered to our hapless office worker, you can actually read the text, which is a humorous essay all its own on office life. I love detailed in-jokes. Thank you, Brian Lopez and co.
Here’s the last drop of tunes from January. On to February!
1. “Bad Blood” – Fred Thomas. This is the indie rock equivalent of an LCD Soundsystem song: deep bass groove, highly emotional lyrics in a speak/sing milieu, unexpectedly hooky melodies from unusual places. It’s basically the promise of indie rock 1979-1992 coming to fruition. Damn.
2. “Story of My Life” – Martin Sexton. Yes, this is a One Direction cover. It basically sounds like One Direction covered Martin Sexton. Yes. You need this in your life.
3. “Soul Shine” – Sam Joole. In addition to smooth singer/songwriter stuff, Joole does reggae. I don’t cover reggae, but this one is so smooth and includes such infectious horns that it stole my heart. Mad props.
4. “Bells and Buzz” – Matt and the McCues. If you were listening to early ’00s indie-pop (verses), ’90s alt-rock (chorus) and bass-heavy ’80s indie-rock (breakdown!) on three stereos at once, you’d end up with this track. It’s an unusual stew, but Matt and the McCues make it work.
5. “If Only” – Ships Have Sailed. If you’re looking for pop-rock with an artsy bent (but not too artsy, you want to sing along, right?), Ships Have Sailed is showing themselves as a solid bet. Get your head-bob and hum on with this great track.
6. “Following the Plan” – Bellwire. Noisy, jangly guitar-pop with Guided by Voices vibes and unironic “whoo-hoo-hoo!”s in it: who can ask for more in a pop song?
7. “Upside Down” – Lime Cordiale. If The Killers, MGMT and Muse all collaborated on a track, they couldn’t come up with something more towering than this.
8. “Pins” – Natalie McCool. Like a grittier Lorde, McCool is on the fast track to a lot of people knowing who she is.
9. “MAD” – Honey & the 45s. Funky, sassy, soulful, gripping: this band knows how to make that old-school soul live.
10. “Spat Out Spit” – Lady Lamb the Beekeeper. Lady Lamb is endlessly fascinating in her lyricism, song construction, and arrangements. Her newest track is no disappointment on any of those fronts.
11 “Hammer and a Nail” – Vienna Ditto. This slinky, enticing, cinematic track is like soul and film noir all wrapped into one. Awesome.
12. “Paying” – Sarah Bethe Nelson. If you’re a fan of long, minimalist folk-type tunes OR singer/songwriter women OR despondent rock tunes from the ’70s OR good things, you’ll be all up in this.
13. “Safe” – Emily Ann Peterson. Raw, deep emotion expressed in a piano-and-vocals one-take, complete with hall gorgeous reverb and all.
14. “Electric” – Föllakzoid. Y’know, I’m usually not into Chilean deep groove, psychedelic, bass-heavy dance vibes, but this one sucked me in and kept me going for twelve minutes. Twice. Going on a third time.
Another mixtape! This one’s predominantly dark indie rock, instrumental hip-hop, and lush indie.
0. “Need Parmesan” – Pjaro. From the surrealistically named Why Is No One Here I Can Make You Alt comes a crazy instrumental indie-rock piece that’s like a post-rock piece if Two Gallants were trying to play the genre and out of frustration they gave up and played really loud. This one’s surprising and intriguing.
1. “Waiting” – Program. Remember the mid ’00s, when everything was super-epic because The Arcade Fire ruled and everyone wanted to be like them? I loved that time. Program remember that time well, with synths and toms and all the right stops’n’starts.
2. “Liar Liar” – Vienna Ditto. Someday, all genres will be one genre, and I’ll be out of a job. Until then, it’s my job to tell you that tribal drums, Portishead-style vocals and swaggering guitar riffs come together for some crazy, gripping music here.
3. “View of My Sanity” – Anna Lena and the Orchids. Another singer/songwriter indebted to the icy soundscapes and incisive vocals of Portishead, another beautiful tune.
4. “Endless Possibilities” – The Boxing Lesson. Space rock that consumed an orchestra? Sign me up.
5. “Proto” – Ryan Hemsworth. This one comes from Mitsuda, the hip-hop tribute to video game soundtrack creator Yasunori Mitsuda (Chrono Trigger). YES TO THE YES.
6. “I Still Think of You From Time to Time” – Louville. Trombones, pulsing beats, and wiry synths come together to form … euphoric electronica? Whatever, just roll with its beauty.
7. “Nothing Left to Say” – Poldoore. Super cool heist movies, take notice: here’s a candidate for your next soundtrack inclusion.
8. “Staying In” – Ola Podrida. Mysterious tune that kinda sounds like a dungeon level soundtrack, until the beautiful chorus kicks in.
9. “Chinese Paper Cuts” – Own Goal. The sparse instrumentation creates a unique indie-soul atmosphere that will appeal to fans of The Antlers.
10. “Blue Elvis” – Peals. It sounds like two guys sitting on the porch making beautiful, low-key, beautiful instrumental music because they can. I dig it.
11. “Seven” – Qualia. Loose, chill, moving post-rock that evokes The Album Leaf, lazy Saturday afternoons and/or epic realizations. Wonderful stuff.
Stephen Carradini and friends write reviews of instrumental music. We write about those trying to make the next step in their careers and established artists.