1. “The Devil Bird” – Albert af Ekenstam. An unhurried, expansive acoustic-led song reminiscent of Leif Vollebekk or Gregory Alan Isakov’s work.
2. “The Beast That Rolls Within” – Dietrich Strause. A troubadour’s confident vocals, abstract lyrics, and gently rolling guitar make Strause an artist to watch in the vein of Joe Pug and Josh Ritter. This song is excellent.
3. “I Love Immigration” – This Frontier Needs Heroes. Refocuses the talk of immigration by pointing out that unless you’re a Native American, literally everyone in this country is the relative of an immigrant. As Brad Lauretti and I are both descended from Italian immigrants, I felt a special resonance with this charming, shuffling, upbeat acoustic pop tune with a deeply important message.
4. “Dorothy Day and Peter Maurin” – The Chairman Dances. The finely detailed lyrics of the Mountain Goats paired with indie-pop that has a wider range, from dreamier at one end to more formal and Beatles-esque at the other. But there’s still a great “hey!” thrown in. Always a good yawp, you know. Highly recommended.
5. “A Lonely Road” – Jordan O’Jordan. It’s hard to make rattling banjo chords sound delicate, but O’Jordan’s oh-so-sweet voice tempers the rough edges and creates a warm, immersive song. (Toss-up on the “ahs” section: some people are going to think it’s lovely, and some are going to wonder what just happened. Just so you know.)
6. “Fingers Crossed” – The Marrieds. Bright, clear, female-led acoustic-pop with a little more Americana than the Weepies but not as much as the Civil Wars. It’s remarkably pretty, especially when the strings come in. You could dance to this at a wedding.
7. “Suite pour Justin” – Yves Lambert Trio. Traditional Quebecois folk music includes accordion, fiddle, guitar and percussion, in case you (like me) didn’t know. It sounds sort of like a mix of bluegrass and Zydeco, which is incredibly rad. The rest of the album includes vocals in French; this one’s instrumental. The musical quality is elite, so if you’re an adventurous listener I would highly recommend checking the whole album out.
8. “Generation, Love” – Jon Reynolds. Doo-wop, Beach Boys harmonies, and old-school rock’n’roll vibes come together to be pleasantly, nostalgically retro, while yearning for love instead of hate (a very modern concern).
9. “How Quickly Your Heart Mends” – Courtney Marie Andrews. This woman has the female version of Jason Isbell’s voice. I kid you not: the stress on certain syllables, the swoops in volume, the vocal strain on the fronts of lines…it’s all there. It’s awesome. The songwriting is a great trad-country vibe, but whoa. That voice. Check this out.
10. “Brink of Love (ft. Ladysmith Black Mambazo)” – Vian Izak. While we’re on the topic of love, why not indulge in a adult alternative acoustic tune that includes a hugely famous African choir? (You may know them from Graceland, only one the best albums of all time.)
11. “The Other Side” – VACAY. A romantic folk-pop song with some solid falsetto; a little less Lumineers and a little more adult alternative.
12. “the fall” – Andrea Silva. Somewhere between haunting and lilting, Silva’s vocal performance is an enigmatic, engaging figure over an acoustic guitar.
1. “Holy Ghost” – deer scout. Some songs have to grow on me, but “Holy Ghost” is instant: Dena Miller’s friendly, comfortable alto invites you in, and the intimate, burbling guitar asks you to sit down. This is a magnificent song that has me very excited for future deer scout work.
2. “Annie” – Patric Johnston. The acoustic guitar has a mellifluous, perfectly-delivered melody to lead this piece, and Johnston’s voice is buttery and smooth in the way of the Barr Brothers, Josh Ritter, and the like: mature, solid, and full of gentle charisma.
3. “The Weather Girl” – Prints Jackson. This one’s a vocals-forward troubadour folk tune a la old-school Joe Pug or occasional Justin Townes Earle. Jackson knows how to use his voice and guitar to best effect, and the resulting tune shines with an easygoing assuredness. This song has legs, and I hope it gets to use them–more people should know about Prints Jackson.
4. “Rain Thoughts” – Frith. You walk into a new club that’s supposed to classy. You find yourself greeted with the gentle sounds of a musician trained in Tom Waits drama but purveying that work via strings, stand-up bass, gentle piano, and a relaxed tenor. You’re going to like it here, and you’re going to visit more often. (Alternatively: the gravitas of trip-hop worked its way into a singer/songwriter tune.)
5. “All Day All Night” – River Whyless. River Whyless has always wanted to be more than just a folk band, and here they expand their sound with some rhythmic group vocals and satisfying thrumming bass that drops this tune somewhere between Fleet Foxes and Fleetwood Mac.
6. “Firetrain” – Todd Sibbin. The raw, youthful vocal presentation of Bright Eyes’ mid-era work meets the polished horns and wailing organ of early-era Counting Crows alt-pop. (I just mentioned two of my favorite bands.) In short, this is a fantastic pop tune.
7. “Absolute Contingency” – The Ravenna Colt. The lead guitar work and background vocals point toward an alt-country tune out of the slowcore, Mojave 3 school, but the rest of the tune is a shuffle-snare folk tune that’s just lovely.
8. “4th July” – Daniel Pearson. This chipper folk-pop tune has a great harmonica part, a friendly vibe, and really depressing lyrics. At least it sounds happy!
9. “Revolver” – Vian Izak. It’s got that Parachutes-esque Brit-pop mystery to it, paired with the sort of chords and mood that evoke sticky, slow-moving days in the city. The results are unique and interesting.
10. “Out Loud” – Jason P. Krug. Brash but not aggressive, Krug pairs confident melodic delivery and chunky indie-pop/folk with a swooping cello to create an intriguing tension.
11. “Pack of Dogs” – Jesse Lacy. Here’s a full-band folk reminiscence on the joy of youthful friendships that brings banjo, acoustic, wurlitzer, and smooth tenor vocals together excellently.
12. “I Won’t Be Found” – Simon Alexander. The smoothness of traditional singer/songwriter mixed with the raw angst and passion of The Tallest Man on Earth’s vocals creates a distinct push and pull between punchy and silky.
13. “What It Is” – Alex Hedley. The purity and honesty of a fingerpicked guitar line and an emotional vocal melody are never going to get old to me. This particular tune is earnest without being cloying; moody without being morose. Well-balanced. Deeply enjoyable.
14. “Someday feat. Devendra Banhart” – Akira Kosemura. A fragile piano melody is joined by hushed vocals and romantic strings. It’s the sort of song that lovers have their first dance to.
15. “Dear, be safe” – Rasmus Söderberg. What a tender, delicate acoustic plea this is.