The Band and the Beat‘s two-song single is a warm, lush blast. It’s a blast in the “blast of air” sense: the analog synths and drum machine create a surprisingly different atmosphere than the harsh digital synths I’m used to. (It’s also a blast in that it’s a lot of fun.) Even when the sound turns ominous, as it does about four and half minutes through the seven-minute runtime, the tune seems comforting. I keep wanting to say “warm blanket,” but gives short shrift to the tightly constructed arrangements and song structures. Freeflowing jams these are not, which is good–I’m not usually the guy trying to sell people on lengthy noodling (be it of the synth or guitar type).
No, “21” stays tight due to thoughtful songwriting and Tracy Tritten’s pristine vocals (of Tracy Shedd). Her soft alto/mezzo-soprano floats effortlessly over the seas of synths. Her voice is more playful in b-side “Buoy,” which fits with the lighter mood of the track. “Buoy” sounds like a lost Mates of State track, if they gave up the piano altogether and went full synth. It’s a friendly, smile-inducing song that features a bit of arpeggiated bass thump to break up the legato lines. “We were never meant to settle down,” Tritten claims, “Another trip and another town.” The song fits as a road song–perfect for the bit when the adrenaline of leaving has worn off and the enjoyment of the ride has set in.
“Get ready / suit up,” Tritten offers at the conclusion of “21,” and it’s a worthy mantra for the outfit as well as the listeners. I’m intrigued to hear more from The Band and the Beat, as their synth-pop is more than just cheery melodies. The complexity of the songwriting in “21” points towards strong offerings in the future.
If you’re in the Triangle of North Carolina, you’ll have a couple chances to see them live over the next week or so:
Nov 1. Durham. Duke Coffeehouse. w/ Free Pizza (Boston)
Nov 7. Chapel Hill. The Cave. w/ Tim Lee 3