Independent Clauses | n. —unusual words about underappreciated music

Mid-October Singles, pt. 2

October 15, 2016

1. “Papernote” – Tigertown. I had the same reaction to this song as I did the first time I heard The Naked and Famous: “whoa, now that is an electro-pop song.” Big, giddy, skittering all over the place; be still my heart.

2. “The World Is a Gumball” – Heavy Heart. Heavy Heart’s song-a-month project continues with a mid-tempo rock piece that blurs the boundaries between ’90s alt-rock and early ’00s female-fronted emo by dint of some shoegaze-y guitar textures. Hazy, dreamy, and yet oddly propulsive (thanks to the bass).

3. “Basic Instructions” – Gleneagle. Unhinged, permanently-threatening-to-come-apart alt-country is attractive because it always barely manages to stay together: here the vocals threaten to dissolve into an uncoordinated rage, only restrained by the carefully coordinated guitar rock going on behind it. The cathartic/jubilant conclusion is all you hope it will be from the first time you hear Bryden Scott’s vocals.

4. “Only at Night” – Candysound. Somehow strikes a warm, comforting balance between jaunty and subdued, like Bloc Party chilling way out or Vampire Weekend on downers.

5. “Revolution (feat. First Aid Kit)” – Van William. Everything that First Aid Kit lends their voices to immediately becomes 4 times better than it was before. This was a good folk-pop song with charming trumpet before their vocals come in; after their vocals, it’s a great song. Straight up.

6. “Life 101” – Sonoride. Shuffle-snare percussion, walking bass, rolling guitar and wistful vocals come together into an excellent folk tune.

7. “All We Do” – Daniel Trakell. The soaring vocal melody in the chorus of this acoustic-pop song just takes off and pushes this song to a whole new level.

8. “That’s All You Get” – Chaperone Picks. Raw, enthusiastic, lo-fi singer/songwriter with some country overtones. For those days when it seems like no one doesn’t use autotune and maxxed out production values, Chaperone Picks is there for you. Realness.

9. “Runaways” – Gabriel Wolfchild and the Northern Light. I feel an expansiveness in my soul when I listen to this song, not unlike that which I feel during Gregory Alan Isakov’s “The Stable Song.”

10. “Agata” – Sam and the Black Seas. This acoustic tune has serious gravitas and yet remains a floating world of a song, barely over two minutes.

11. “Alstroemeria” – TOLEDO. A dignified, composed, carefully constructed piece of acoustic music that shows off the male vocal tone and the ability to make all the pieces fit together intricately.

12. “I Found a Home” – Brooklyn Doran. The pristine guitar playing features an intriguing bass line. The guitar fits between Doran’s Adele-esque vocals and chord-heavy piano playing, creating a strong pop song.

13. “When We Were Young” – Anna Atkinson. Dramatic high alto/low soprano vocals and fiddle duet for the first chunk of this tune, evoking solitary, yearning mountain folk songs. The introduction of guitar somehow amplifies those feelings instead of diminishing them.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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