Independent Clauses | n. —unusual words about underappreciated music

September Singles: Acoustic 1

September 27, 2016

1. “Galatians 2:20” – The Welcome Wagon. TWW is almost genetically engineered specifically to be a perfect fit with my musical tastes: acoustic-based indie-pop married duo inspired to start a band by Sufjan Stevens who sing humble yet joyfully melodic tunes (often with many voices) whose lyrics are sometimes entirely Bible verses (as in this one). I love it all. If you do too, hit up their Kickstarter.

2. “Be My Girl” – Anna Lee Warren. Warren’s strong, clear alto voice is the centerpiece of this vocal/ukulele/stand-up bass/shaker piece, and it shines bright.

3. “The Swells” – Second Husband. A joyful little ditty about (potentially metaphorically) being eaten by a shark that includes a very Juno-esque flute solo and overall attitude.

4. “When I Arrive” – Bryan Diver. Somewhere between Needtobreathe and Josh Garrels lies this high-drama folk tune with an arresting chorus.

5. “Cold Fact” – I Have a Tribe. Gentle trembling at the top of some vocal notes gives a sense of a particular type of intimacy; not theatrical but not entirely restrained either. Just honest, in a certain way. There’s a very European precision about the spacious indie-pop arrangement here.

6. “Uncomfortably Numb” – i.am.hologram. A hypnotic acoustic guitar line that sounds more like a sitar than a six-string anchors this song. Nihil’s barely contained, sneering voice provides an astute counterpoint to the instrumental base.*

7. “Over You” – Pony Hunt. A vintage walking-speed country loll, but fronted by a clear-eyed alto voice, doo-wop background vocals, and delicate–even sweet–pedal steel.

8. “Eggs and Toast” – Redvers Bailey. This charming, quirky, jubilant ode to breakfast food reminds me of the melody of the Boss’s “Dancing in the Dark.” Pretty much everything else possible is different.

9. “Stay a Little Longer” – Knaan Shabtay. Passenger’s vocal style meets a sped-up version of Josh Radin’s delicate intricacies in a charming, engaging tune.

10. “dirt” – Andrea Silva. It’s amazing how arresting a subtle voice, a guitar, and reverb can be.

11. “Used to Be” – Luca Fogale. A dreamy, lovely tune about running out of nostalgia that nonetheless has a deep sense of memory running through it.

12. “Settle Down” – Dark Mean. Jason Molina and Bonnie Prince Billy would approve of this moving, slowly-unfolding tune constructed of simple elements that are imbued with huge emotional importance.

13. “The Thrill of Loneliness” – Honey Stretton. Goes hard for the pastoral feel: a burbling brook, various animal/insect noises, and the hiss of the outdoors accompany a meandering guitar and a fluttering female vocal. You’ll probably want to walk outside after hearing this–it won’t be as pretty as the sonic picture (unless you’re very lucky locationally).

14. “UURKIDNI” – Emily & the Complexes. Most of E&tC’s work is distortion heavy indie-rock, a la Silversun Pickups and the like. But this is a gentle yet sturdy love song of just an acoustic guitar, even-handed vocals, and atypical lyrics that draw me in. Stunning.

*Full disclosure: i.am.hologram’s PR contact recently began writing for Independent Clauses. This happened after selection of this song for coverage and did not affect the selection of the song.

Catching up

February 13, 2012

Still trying to get caught back up on all the work I didn’t get to when I was at the conference, and a review just isn’t in the cards for tonight. But here’s what I’m listening to right now:

and

Hopefully there will be a whole slew of reviews soon.

Jenny and Tyler combine to write charming folk songs

November 15, 2009

I’m really picky about female vocalists; it’s just the way I am. That’s why my discovery of Jenny and Tyler is so exciting. The former part of the moniker has a wonderful voice that elevates the duo’s acoustic-based folk tunes to a level that wouldn’t be achieved simply by the rest of the album alone.

That’s not to minimize Tyler’s contributions at all. He contributes the guitar work that dominates the songwriting on this album. And it’s great folk songwriting that occasionally transcends the barriers of the genre and moves into epic pop song mode (as “The Deepest Part of Me” does).  Continue readingJenny and Tyler combine to write charming folk songs…

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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