Independent Clauses | n. —unusual words about underappreciated music

Fairmont: Now with more marimba!

January 22, 2014

Fairmont has been a part of Independent Clauses for almost as long as it’s been alive. Over those almost 10 years I’ve seen Fairmont transition from an acoustic-fronted indie-rock band to a theatrical power-pop band and back. In short, it’s been REM to My Chemical Romance to a Violent Femmes/Shins hybrid. That last one spot is where Fairmont currently sits with Live & Acoustic from the Forest of Chaos.

Leaning heavily on acoustic guitar, marimba, and male/female duo vocals, the New Jersey band remakes some of its tunes from the last few years in a chill, stripped-down style. They never lose the friction-energy that powers Neil Sabatino’s songs, but they do smooth out some of the rough edges that the tunes can get from a gritty guitar line or pounding drum kit. “Black Heart Burns” is a great example of their sound on this release, as Sabatino and co. create a sparse but engaged backdrop for the vocal duet to play over. The song is a little morose (re: title), but it never comes off as depressing or overtly navelgazing.

That trend continues throughout: the tunes are surprisingly light and sprightly for their heavy content. “Elephant” has a carnivalesque wonder to it; “King and Queen” is an upbeat song in a major key that will have you tapping your foot and loving the fact that this acoustic album includes marimba. “I Am the Mountain,” a favorite of mine, is just as catchy as in its electric form.

If you’re into acoustic-fronted indie-rock/indie-pop (and who isn’t, these days?), Fairmont’s in-studio live set (no applause, which made me breathe a sigh of relief) is a great way to spend 25ish minutes. Live & Acoustic from the Forest of Chaos drops 1/28.

There's Folk and Punk in Clock Hands' Stranglehold

October 29, 2009

Clock Hands Strangle suffered from a peculiar syndrome when I was reviewing this album. I enjoyed this album so much that I put it in my car and started listening to it like I would if it were an album that I purchased from a record store. But when I do that, I don’t think about things like “when I need to have it reviewed by” and things of that nature. Hey, we’re definitely not pros here at IC. Only here will producing a fantastic album actually delay your review. Sorry.

But Disticatti is an incredible album that deserves the words I’m about to lavish on it. It’s a folk/punk album, and the punctuation is chosen particularly. It’s not folk-punk, where the folk has a whole lot of punk strumming and attitude (O Death comes to mind) or folk punk, which is a punk band playing folk instruments (The Violent Femmes, for example). This is a band that plays folk and punk in equal measure. Continue readingThere's Folk and Punk in Clock Hands' Stranglehold…

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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